FEBRUARY 2004 CD reviews (listed alphabetically)

ADJUDGEMENT
AT TWO O'CLOCK
PCS RECORDS
All the way from Hanover, Germany, comes Adjudgement. Founded in 1993, the group is no stranger to the ever-evolving hardcore scene. Taking influence from both early-1990s hardcore and recent-day metal, the boys in Adjudgement have released a very solid record. Although it is not groundbreaking or progressive by American standards, it is a very solid release, nonetheless. The style seems to me like a cross-pollination of early Earth Crisis and current Sick of It All. It's very aggressive, fast, and heavy. Technicality seems to be very important on this album, but don't worry, the boys have thrown in plenty of head banging sections for all of you mullets out there. The highlight would have to be number 3, "Scream Inwards".
-ADF

AGENTS OF THE SUN
AURORA
DCIDE
Agents of the Sun is hard-rock quintet who take the melodics of King's X and meld them with nu-metal compositions. The overall result sounds like a cross between POD (complete with a gloss of an overall positive vibe), the heaviness of Trust Company, and the funkiness of Fishbone. Agents of the Sun never scream, but they do sing in perfect harmony on the most stellar tracks: the ripping opener "Come Together" and the closing anthem "Fear of Heights". The Baltimore outfit even rap a little bit, making them digestible to a large sum of peopleówhich, in turn, may piss off many rock fans. But that's no matter, as Agents of the Sun's eclectic hard rock mix has the sound that today's radio desires. website
-Mike SOS

AI PHOENIX
THE DRIVER IS DEAD
AUTONOMY RECORDS
Every so often, a band will come around that emits an aura of genuine brilliance. Bergen, Norway's Ai Phoenix is, without a single doubt, one of those bands. Like the sobering silence before a late winter rain, their quiet and beautiful symphonies teeter delicately on the line that separates day from night. "The Driver Is Dead" will leave the listener stunned and confused as to whether to feel inspired, depressed, or both. This music is endlessly pure and impossible to ignore, almost as if it, incapable of being suppressed, chose the band to create it rather than the other way around. Here, pensive sounds envelop the sullen voice of vocalist Mona Mork like gentle plumes of white smoke, and lush strings and organs hum a song of subtle woe in the vain of Mazzy Star and early Favez. These songs, like a twinkling beacon on a snow covered hillside, are probably what Sigur listen to when they need to relax.
-Dave Kargol

ALL STATE CHAMPION
IS IT NOTHING TO YOU
FIVE ONE INC
All State Champion display all of the faculties of an '80s indie-punk band, aptly shown on the outfit's latest 10-track release. Tracks like "Regret's a Bitter Taste" swirl around like Fugazi meeting At the Drive-In at a Thursday show, highlighting the band's deeply intriguing guitar work and intense screams from far away that lead up to fascinating musical crescendos. This Canadian quartet's seriousness shines through on songs like "Sinking Ship", using dissonant rhythmic rumblings to hammer its point home, while tracks like "Work Is Killing Me" display the band as a unbreakable unit, complete with a driving rhythm and group choral vocals. Emphatic and emotive, IS IT NOTHING TO YOU is bound to sweep you away from the mundane and into the tumultuous yet elegant musical landscape of All State Champion. website
-Mike SOS

AMEN
3 SONG SAMPLER
COLUMBIA RECORDS
Amen is a wild-toned metal band with punk rage. This 3 SONG SAMPLER is powerful and extremely in your face. I do hate the name "Amen." I'm not hearing lyrics in line with Petra or Stryper. I'm also not hearing "Amen" being used as a sarcastic label by which to preach Satan. On track 2, "California's Bleeding", there is an odd edit, but, the song has a little The Sex Pistols' "England's Dreaming" mixed with the reckless abandon of Faith No More. Overall, this is almost nine minutes of good rock. Change your name, though, damn it.
-H. Barry Zimmerman

AMY BLASCHKE
AMY BLASCHKE
LUCKYHORSE INDUSTRIES
Indigo Girls? No, sorry, just a sound-alike. I really think they just set up a microphone in a coffeeshop. The songs are similar from track to trackóall musically tedious and somewhat devoid of the subtext that makes coffeeshop rock work. Amy's voice is typical of pissed-off chicks with guitars. There is a track that makes an effort at being original, as "Thoughtlessness of" tries to separate itself from the rest of the pack; but on the whole, the record is fairly typical of a somewhat exhausted genre.
-AC Lerok

ANATA
UNDER A STONE WITH NO INSCRIPTION
EARACHE
Anata is a Swedish death-metal troupe that utilizes intricate song structures in addition to thunderous dynamics. On this 10-track disc chock full of metallic mayhem, Anata floors you with technical brutality, aptly shown on such jaw-dropping tunes as "Entropy Within" and "Sewerages of the Mind". Armed with the bite of death metal and the musicality of progressive metal, Anata's double-fisted assault will leave you both fearful and awestruck. website
-Mike SOS

ANATHEMA
A NATURAL DISASTER
KOCH
Anathema makes dramatic rock music that speaks to the masses on the quintet's latest release, A NATURAL DISASTER. The 10-track affair's lush soundscapes send your senses to the same locale that Peter Gabriel and Pink Floyd frequent with the sensitivity and delivery of Depeche Mode. Tracks such as the ethereal "Are You There" (with operatic female vocals and shades of regret) should leave you breathless, while the riveting "Pulled Under at 2000 Metres a Second" (complete with a primal metal riff and 10 tons of angst) will leave you rocked. In all, A NATURAL DISASTER will leave you wanting more. (website)
-Mike SOS

AND ACADEMY
LOVE AND AFRICA, LOVE AND ACADEMY
SELF-RELEASED
This is actually two separate albums, one recorded in 2001 (LOVE AND AFRICA) the other in 2002 (LOVE AND ACADEMY). The group challenges the listener to describe the songs as either "love" or "Africa" from one track to the next...in order to make this a more personal experience? Whose bright idea was this? I say give this a listen, because this is an interesting band doing some innovative things. And Academy almost comes across as a very experimental Death Cab for Cutie. It's hard to believe that they have been making records since '98. How they have gone largely unnoticed remains a mystery. The opening tune, "August in Atlanta", sounds like something that would happen if Stereolab made an indie-rock record. The first half of this album is perhaps the easiest to swallowóthough listener beware: this is not instant pleasure. And Academy are a band that goes against formulas, and I felt obligated to make note of that. andacademy.com" target="_blank">website
-Jude Ruiz

ANN BERETTA
THREE CHORD REVOLUTION
UNION LABEL GROUP
I get the three-chord part, but I must have missed the revolution. Although they try to combine rockabilly, country, and straight-up rock 'n' roll, THREE CHORD REVOLUTION is reminiscent of a poor man's Alkaline Trio. "Angry All the Time" seems to be the standout track with a semi-catchy chorus, but it's just a tease, because the rest of the album is chock full of bland songs. After releasing albums on Fueled by Ramen and Lookout! Records, they stepped down to the Union Label Group. They sound like they could be a fun band to watch live, so check them out if they're touring with bands that are better than them.
-Joe Wilson

APOCALYPSE POW
SMASH THE SUPERSTITION
POPFACTION
I must say, it is a rarity when a CD you get to review finds its way to your CD rotation because you like it that much. Strangely enough, however, SMASH THE SUPERSTITION managed to do so. Boasting tunes like "It Makes Me Sexy When You Say That", Apocalypse Pow offers a very eclectic sound, somewhat reminiscent of earlier At the Drive-In. Referring to themselves as "revolutionary synth rock," Apocalypse Pow proves, song by song, that this is what audiences have to look forward in the future of rock. The only complaint I have about SMASH THE SUPERSTITION is that the CD is not long enough. The mere five tracks leaves the listener begging for moreóand, ultimately, pressing "repeat" until their CD player finally dies.
-Carley Charpentier

ASPHALT APOLOGY
STORIES OF FALL
LABEL UNKNOWN
STORIES OF FALL is a mediocre CD at best. Unfortunately, while the longing for a certain power is there, it ends up sounding much like a confusing indie effort rather than a well-assembled rock album. There are blazing guitars, screaming, and a diverse set of rhythms, but where's the ingenuity? It's disappointing.
-Darren Ratner

AWAY FROM HERE
ANATOMY OF A BROKEN HEART
LONELY TREE RECORDS
First off, I think the name of this album, ANATOMY OF A BROKEN HEART, is melodramatic and likely to be the title of a ninth-grade boy's poem to some girl he has never spoken to and has sat next to for the last seven years. ("Anatomy of a Ghost", now, that's a cool name.) Luckily, this review is on the content of the music and not the name of the album. This sounds like a Drive-Thru band with a metal edge and some bad screaming. The lead vocals are that of a typical pop-punk band, and when combined with the screaming, an uneven mixture occurs. At times, the music gets hard and thick (reminiscent of Thrice) and that doesn't fit well with the pop-punk vocals. And then when the music gets poppy and cheesy, the screaming just can't be taken seriously. This band is not awful, by any means, but I do think they need to change some things to build a better overall sound and separate themselves from the all too many bands that sound similar. On a final note, seven out of 10 songs on this album refer to someone's heart.
-Anthony

BACKSLIDE
TERROR AGE
SOCIAL BOMB RECORDS
Bleeding out from the heart of Germany, Backslide compiled songs of repression, protest, and love for their country, resulting in TERROR AGE. The album is a strong testament to the angst and frustration that youth are feeling due to world events and suppression by the German government. The combination of hard-hitting lyrics and instrumentals intertwined with the classic punk sound of throbbing bass, fast drums, and rhythmic guitar has no doubt added to the elite library of great punk albums. Whether you want to have something to listen and relate to or just put on for a good time with friends, make sure you pick up TERROR AGE. website
-Breanne Dunn

BAYSIDE
SIRENS AND CONDOLENCES
VICTORY RECORDS
For their debut album on Victory Records, Bayside, a foursome from Long Island, NY, conceived an offspring of devastation, mourning for failed romance, and imagery of deep pain and suffering, resulting in SIRENS AND CONDELENCES. Sorrow drives this album with beautiful guitar, bass arrangements of intricate detail, and a drum beat to match the beating of the shattered heart that inspired the lyrics. The album, however, lacks differentiation between songs, with the theme in each song being much like the last. Do they add much to the ever-growing, vast emo scene of heartfelt lyrics and upbeat arrangements? Yes. But is it substantial? Judge for yourself. SIRENS AND CONDELENCES is out now. website
-Breanne Dunn

BEAR VS SHARK
RIGHT NOW. YOU'RE IN THE BEST HANDS
EQUAL VISION RECORDS
If the lead singer of Face to Face left the group and started a new band, this would be it. Now, if you hate FTF, then you will probably dislike this album. If you are in the other two percent, then you just might like it. Bear Vs Shark managed to put over 45 minutes worth of music on the new CD. It might have been good, but I am still undecided. You should probably go to website and decide for yourself. I think it might be worth it.
-Ian Wilkins

BELLE AND SEBASTIAN
DEAR CATASTROPHE WAITRESS
ROUGH TRADE RECORDS
From the 60 pounds of press materials accompanying this record, I can say with confidence that Belle and Sebastian is a Scottish pop band who has been banging away for seven years. From actually listening to the record, a far more interesting portrait is visible. Belle and Sebastian is a flurry of elements of the Moody Blues' DAYS OF FUTURE PASSED and touches of Burt Bacarach, as odd as that may sound. It's infinitely interesting, to be completely honest. I sat and listened to the whole thing confused before I played it again and understood where Belle and Sebastian is going. It's a creative place, where everything is slightly off-kilter, and I like it. Everything from the melodies to the effects hit me out of left field. It's definitely worth a listen.
-AC Lerok

BINGO
THE CICADA AND OTHER STORIES
CRAVEDOG RECORDS
It has been a while since folk was tastefully done, but this gent Bingo comes pretty damn close. With audible elements of Kenny Wayne Shepard, Neil Young, and Mariachi, Bingo layers a pretty thick mixture of folk sensibility. The songs starkly contrast each other, going from mixing horns and steel drum on "Luciagua" to resonator and harmonica on "Wishing". The producer of the record leans pretty heavily on the vocals, however, which is disappointing considering the intricacy of the back-up tracks. At any rate, Bingo is alright, and THE CICADA AND OTHER STORIES will stay in my player for a while.
-AC Lerok

BLAKE BROWN
FLICKER AND FADE
THE SKY COLLECTIVE 4.0
The debut solo full-length album from this Colorado folk singer is a quiet, melancholy journey that leads to the soul. With a sparse style, mostly just acoustic guitar and his high, almost effeminate voice, Brown has crafted his own soft emo world. There are some terrific moments on this disc, such as the powerful track "A Moment of Silence", in which he uses a full back-up band. Unfortunately, for most of the CD these songs seem to wander around in search of a melody. Brown, a true artiste, often performs live without mics or amplification. His live show is sure to be saturated with the sincere intensity that permeates this disc. Hopefully some of that intensity will translate into more accessible melodies on his next release. website
-DUG

BLEACH
ASTRONOMY
TOOTH & NAIL RECORDS
Bleach is a group of pop/rock ramblers whose one-two punch is well worth the wait. ASTRONOMY is the band's fourth album and a great continuation of the band's six-year career with catchy, ballsy songs such as "December" and "Plan to Pull Through". The emotion boils over with arrangements that go from touching to tumultuous, nasty to nice. ASTRONOMY has a great overall flow and keeps you listening to the very end.
-Darren Ratner

BLITZ KID
TRACE OF A STRANGER
ANTIDOTE
This recording left me with sort of a sour taste in my mouth. Usually I love me some good horror-punk, but TRACE OF A STRANGER left me empty. The riffing is extremely predictable. This can usually be overlooked with some decent vocal work and choruses, but Blitz Kid did not quite seem to pull it off. In fact, the opening track, "Let's Go to the Cemetery", honestly annoyed me and made it that much more difficult to soak in the rest of the album. If you'd like to just get a taste of the album to see if you want to purchase it, check out the song "Lupen Tooth", as I feel it showcases the highest points the disc reaches. If not, be on your way and check into the genre of horror-punk a little bit more.
-Hibbard

BOSS MARTIANS
THE SET-UP
MUSICK
The fifth effort by Boss Martians, THE SET-UP, is a concoction of power-pop, punk, garage, hard rock and even some soul. For some bands, this could spell calamity, but not these guys. It's not every day that you see a band using so many different styles so well. Tracks such as "I Am Your Radio" and "Oh, Angela" are great lounge-out or rock-out songs. Set this up in your CD player.
-Darren Ratner

BURNT BY THE SUN
THE PERFECT IS THE ENEMY OF THE GOOD
RELAPSE
Bow down to one of the most powerful new acts to emerge in today's hardcore scene. Burnt by the Sun withholds a fearsome presence that is apparent on the 14-track evolution of mayhem. THE PERFECT IS THE ENEMY OF THE GOOD is a compelling follow-up to their acclaimed debut album. The energetic and atrocious acts are simple traditions that seem to carry on through each song. I've endured my fair share of wholesome hardcore within the past months, yet Burnt by the Sun's latest release sticks out. It's got long-lasting energy, unapologetic rage, and riffs that could quite possibly drive you insane! I recommend this CD to anyone that enjoys a good ass-beating in audio form.
-Courtney Riot

BURST
PREY ON LIFE
RELAPSE RECORDS
Burst has been bobbing and weaving through musical styles for over 10 years now. Once guitarist Robert Reinholdz joined the band, they found their way and started writing some monster riffs. PREY ON LIFE is the first full-length from this band from Sweden. The production quality is well above par, and the songs are well-put-together. "Rain" is the standout track, equipped with a haunting bass line and screams belted by Linus Jagerskog to match. This is a great CD for the melodic hardcore fan. I can see these guys on tour with Hopesfall or Poison the Well, so if this tour ever comes near, you go check it out. It'll probably blow your ass out.
-Joe Wilson

CANNIBAL CORPSE
THE WRETCHED SPAWN
METAL BLADE
I truly cannot imagine with all the strength in my brain a heavier metal album than this. THE WRETCHED SPAWN actually makes me want to cry, if not for the brutality of the music, then for the lyrics, which fall nowhere short of any other Cannibal Corpse release. On an even more superficial note, the cover art itself would make anyone cry, so I believe the guys have succeeded in exactly what they had planned on doing. You're either a lover or a hater of this bandóand every fan is going to love it, and everyone who's not a fanÖis still not going to become one. There's not much new ground broken here, but that doesn't matter, because they're doing exactly what they want to do. Go get it before it gets you.
-Hibbard

CAPDOWN
POUND FOR THE SOUND
CANDLELIGHT
I can honestly say I haven't heard such a proper and rocking use of horns since Sublime. This U.K. band has finally released a CD for the masses of America ...and I must say, they did a damn good job. POUND FOR THE SOUND is the second album from these punk/ska rockers and offers 11 upbeat tracks. Each track jumps from style to style. Songs like "Time to Get Out" use less horns and appeal more to their punk fans, while the next track, "Pound for the Sound", breaks out the horns and entices those same punk fans to kick off their Converses and dance. To say the least, I really enjoyed this U.K. treat.
-Carley Charpentier

CASTLE OLDCHAIR
SAD PANTS
STANDARD RECORDING COMPANY
Every so often Earth produces an Isaac Brock, a Will Oldham, or a Castle Oldchairóthe kind of songwriter that can make any project into someone's favorite band. While it's a bit presumptuous to say Castle is on his way up the ranks to indie-rock luminary (considering his expansive catalog of only one album), it is definitely a possibility. SAD PANTS is full of beautifully-crafted, mellow songs; perfectly complemented by Castle Oldchair's warbling voice. It is evident in his lyrics that he has an eye for the simple and meaningful things, which gives these songs a personal feel. Even though he hasn't yet reached iconic status, there are signs pointing him that way and it will be interesting to see how far he'll go.
-Casey Clague

CHIGGER RED
THE HARD ROAD
ROADTOOTH RECORDS
Chigger Red is a hard rock band that is a throwback to the '70s. Blues rock, arena rock, and hard country rock is thrown in with visions of mullets, spandex, and flying-V guitars. There are arpeggios, but I do not hear the cowbells. Not being exceptionally good at it, offering a funny parody or doing much to update the parody, the result is a new record that already smells musty.
-Tom "Tearaway" Schulte

CHUBBY
IS IT TIME
GIGANTIC
It's a silly name for a band with true rock grit to have, but maybe that's Chubby's point. This Boston-based quartet have the knack to deliver driving, heartfelt rock anthems like "Fight or Fuck" without the daftness of its mainstream counterparts throughout its impressive 11-track release. Songs like the wavering dynamics of "Sweet Song" or the hypnotically rhythmic "A Day and a Half" display an undeniable bass groove that is as sultry as intense, while the top of the music is both heavy and catchy. The obvious comparison to Chubby is probably Foo Fighters, as both bands tackle rock with the same gusto, but Chubby contains a little more R&B backbone, permitting the band to be smooth and clever a bit more than Dave and company. website
-Mike SOS

COLONIAL EXCESS
BUILT FOR ASS
SELF-RELEASED
Accompanying this CD was a Polaroid of a mulleted woman in a teddy and some red plastic jewelry looking like the nasty end of a meth binge. Imagine (if you can stomach it) waking up in this woman's bed after a night of incredibly bad judgment. BUILT FOR ASS is the album in that woman's stereo. This brand of eerie, electro-booty music cut with random sound bites and various "bleep bleeps" gives that particular uneasy feeling like you just want to get out of there...and it doesn't even matter if the sex was good.
-Casey Clague

DAKONA
PERFECT CHANGE
MAVERICK RECORDING COMPANY
The debut Maverick Records release by this Vancouver-based quartet is nothing short of a knockout. Maverick Records, a joint venture between Madonna and Warner Brothers, is as slick a label as anyone could hope for. Dakona's new disc is almost too slick. With a heady, well-produced sound that is best described as a cross between Live, Train, and Third Eye Blind, the band tugs at the heart strings while pumping out nearly flawless rock songs. It's surprising that a few songs off this album aren't already in regular radio rotation. One has to assume that the band's label must be focusing on their new Alanis Morissette release before turning to the local radio stations to twist arms for Dakona. Not that this album will need much leverage to be embraced by commercial radio and the huge fan base that flocks to music this accessible. It will be a shock if this band doesn't become one of the top 20 grossing bands in the world in the next couple of years. In a way, it makes you nostalgic for the humble, one-hit wonders that will spend their careers playing weekday nights at local clubs. This band has major outdoor festival written all over it. website
-DUG

[DARYL]
UNEVEN SURFACES
IDOL RECORDS
I'm not exactly sure what the desired outcome was here. I think the band's intention was to put together a (radio-friendly) pop-punk album with a hint of new wave (because new wave is all the rage). If this be the case, then I say they've succeeded. Lead singer Dylan Silvers voice has the same annoyingly raspy snarl as Mighty Mighty Bosstones frontman Dicky Barrett. I can think of better ways to spend your hard-earned cash.
-Jude Ruiz

DEATHWITCH
VIOLENCE BLASPHEMY SODOMY
EARACHE
Usually, when an album is started with a Charles Manson sound bite, it sets a certain toneóand Deathwitch's metallic overtures are no exception. This 14-track release is as ruthless a display of metal as one can imagine, combining incessant double-bass drumming with punishing guitars and enough vocal venom spewed to piss just about everyone you can think of off. Not being known for its political correctness, songs like "Worthless Scum" and "Fuck Off and Die" are pretty direct messages to those in Deathwitch's line of fire. While the insults are hurled effortlesslyóin a guttural growl, no lessóthese tirades, combined with the old-school death metal approach, strike the same angry chords that Slipknot and countless other metal bands employ. website
-Mike SOS

DECIBULLY
CITY OF FESTIVALS
POLYVINYL RECORDS
You've heard of comfort food? Well, this is comfort music. This album has the same warm, sunny day feel that The Thrills or Polyphonic Spree albums have. CITY OF FESTIVALS is a quintessential example of how a band can combine indie-rock and alt-country with some electronic tinges in just the right doses. Cut from the same cloth as Wilco's YANKEE HOTEL FOXTROT, this Milwaukee septet features William Seidel (The Promise Ring, Camden) and Ryan Webber (The Promise Ring), and when your attention is focused to the textured arrangements, you will hear that your listening to experienced musicians at work (all members have various side projects). Decibully shines bright on opening tracks like "On the Way to Your Hotel" and "Tables Turn", which are guaranteed not to leave you high and dry. decibully.com" target="_blank">website
-Jude Ruiz

DEICIDE
SCARS OF THE CRUCIFIX
EARACHE
It was very difficult for me to give this record a fair review based solely on the music when I had to listen to songs titled "Mad at God", 'When Heaven Burns", "Fuck Your God", and "Go Now Your Lord Is Dead". I completely respect this band's opinions regarding religion and spirituality, but I do not agree with them. Musically, however, this release is very similar to the previous Deicide efforts. The riffing is quite fast, and if you're a fan of extremely heavy metal, you will be more than pleased with this release - so don't let my opinions discourage you.
-Hibbard

DISMISSED
TAKING THE GOOD WITH THE BAD
INDIE VISION MUSIC
These guys have potential, but there's just something about them that irks me. Singer Dave Arthur can actually sing well, but the vocals are a little disappointing at times when he keeps singing the same melody in every song. The range is there, but I don't hear anything I can sing along with in these songs. TAKING THE GOOD WITH THE BAD is Thrice-inspired and predictable, at best. From the vocals to the guitar riffs, it just seems like they took the easy way out while writing these songs. If they polish their sound a bit and prove that they aren't afraid to try something new, their next record should kick some ass.
-Joe Wilson

DOLOROUS CANTER
THE ALPHA PROJECT EP
SELF-RELEASED
Ever heard a band that would benefit immensely by just improving their quality of recording, the type of band that has a creative sound, sincere emotion, and amazing potential? This is Dolorous Canter. Their five-song effort, THE ALPHA PROJECT EP, reveals a talent for creating momentum throughout songs, culminating in a climax of raw emotive energy. Each track is born with the combination of slow melodies and soft vocals, allowing the listener to absorb the somber atmosphere. This is where Dolorous Canter lead you straight into an explosion of emotion. Melodic guitars suddenly turn into chaotic distortion, gentle whispers transform into impulsive screams...and questions whether this band is talented disappear.
-Anthony

DRUGMONEY
MTN CTY JNK
HYBRID RECORDINGS
Lead guitarist/vocalist Fisher Meehan of Asheville, NC's DrugMoney has a lot to say and says it proudly. Amongst the acoustics and distortion-filled guitar lines on MTN CTY JNK, lyrics such as "Ökilling everyone around" (from "Small Thinking") are like superglue on the brain. Even if you refuse to care about what each song means, you eventually do. There's a great, punkish gargle to his voiceósometimes like Tim Armstrong. It's also entertaining on the record's more thumping tracks, such as "Wish Away".
-Darren Ratner

DUB NARCOTIC SOUND SYSTEM
DUB NARCOTIC SOUND SYSTEM
K RECORDS
Old-school dub meets Jon Spencer-styled alt-blues on this deep and wacky new disc from Calvin Johnson (Beat Happening) with the rhythm section of Chris Sutton (C.O.C.O.) and Heather Dunn (Tiger Trap, No No's). Dunn sings one of the standout tracks, "Fuck Me Up". That is just how this disc is in delivery and style: direct and sexual, potent and vigorous. This is dance music for the decadent of Roman proportions.
-Tom "Tearaway" Schulte

DUFF MUFFIN
THE EAGLE EYES EP
DO THE DOG MUSIC
Duff Muffin continues in the direction of a harder, faster ska formulated by much of the third wave of the ska revival scene from the late '80s. This EP is recommended if you like Green Day, Offspring, and The Mighty Mighty Bosstones. There is a three-piece brass section, and there are many examples of fast-paced ska-core on this album. The music is vital and infectious, with Duff Muffin deserving kudos for producing an excellent album in what may seem to be a well-trodden genre with nothing else to offer.
-Tom "Tearaway" Schulte

EASTSIDE SUICIDES
S/T
SUPER SECRET RECORDS
Eastside Suicides are just your generic run of the mill punk rock band. At best, the band is a garage band with hopes of being The Stooges. The music aspect of the band is alright. Nothing spectacular, but it's still tolerable. At times though, the songs seem to blend together and if you weren't paying attention, you'd think it was one long song. The fact that lead singer Frankie Nowhere has no sense of harmony and melody and only sings in a pseudo nasal snarl doesn't help anything. If anything, it just reinforces the one long song feeling. By the time you get to "Bad News" you'll know to expect something obnoxious to come out of his mouth just about every song before he kicks into the vocal parts. Completely generic, run of the mill, and obnoxious. With a new lead singer, and a some different musical arrangements, this band could be great. Until then, Eastside Suicides are forgettable.
-Dane Jackson

EE
RAMADAN
ASIAN MAN RECORDS
This record just so happens to be a re-release of EE's initial recording, previously having only been sold at their shows. Listening to this record, it disappoints me that the record went out of print initially after such a short run. I have always been a sucker for tasteful cello, which this record brings to the table. The songs are very subdued, showcasing a variety of styles that always seem to find their way back to melancholy. It's an extremely emotional record, evoking an array of sentiments throughout the 10-track disk. Unfortunately, EE has undergone a drastic lineup change since the recording of this record. That being said, this record is strong, and I dig it. "Asian Gangsta Kidz" and "Battery Davis" were two of the sounder tracks although the record as a whole is pretty damn enticing.
-AC Lerok

ENSIGN
LOVE THE MUSIC, HATE THE KIDS
BLACKOUT!
I wish I could change the top-five list I made for SKRATCH of my favorite CD releases of 2003, because Ensign's LOVE THE MUSIC, HATE THE KIDS would, no doubt, have been at the top! Each one of the 20 tracks featured on this album completely blew my mind away. It's fast, aggressive, catchy punk rock with a vocal attack that is screaming insanity! Talent, politics, insanity, and truth never sounded so good. You really can't expect anything but perfection from these guys, and this CD is no exception. If you aren't familiar with Ensign, there's no better time than now to get familiar and go pick up their latest release. website
-Courtney Riot

ESTROGENOCIDE
I LIKE TO CUDDLE
M.H. RECORDS
It is CDs like this one that give synthesizers a bad name. I LIKE TO CUDDLE sounds like something the sadistic neighbor boy in fifth grade would have recorded when I let him use my keyboard. If the FCC wants to ban gangsta rap for degradation of women, Estrogenocide should get smacked with a muzzle and a locked in a maximum-security jail cell. Repeating lyrics like "You get decapitated by my ceiling fan," Estrogenocide is by far the worst excuse for musical talent that I've heard in a long time. Perhaps there is a revolutionary hidden message amongst songs like "I Will Shoot a Load in Your Headless Corpse", but for now I'll stick to my gut instinct and tell you how much I LIKE TO CUDDLE sucks.
-Carley Charpentier

EVEN IN BLACKOUTS
FORESHADOWS ON THE WALL
KNOCK KNOCK RECORDS
Even In Blackouts is a very refreshing band. Instead of following the trend of pop punk or emo pop music, it decided to go another route and come out with something that is both a joy to listen to, but also a breath of fresh air. Jughead and Dan Lumley, of Screeching Weasel fame, team up again for this up beat folk rock punk infusion. The puzzle is complete with Lizzie Eldredge on vocals. She adds a sweetness and melodic punch to the amazing acoustic arrangements. This EP, meant as a teaser for the band's upcoming full-length includes three originals, as well as three covers. Hell, there's even a special appearance from Dan Vapid. This will go down as one of the best acoustic bands of 2004. Think Kevin Seconds' acoustic work mixed with early Against Me and you're almost there.
-Dane Jackson

EVER WE FALL
ENDURA
RISE RECORDS
Ever We Fall should have stuck with the sound that opens up this EP. The first minute or so of the first track is laid-back, swirling indie rock that hints at slower Further Seems Foreveróand then, BOOM!, the whole mood is ruined by pop. No, upbeat music is not inherently bad; however, upbeat music with droopy lyrics is antithetical, so don't be surprised if the two elements cancel each other out and your copy of ENDURA has no sound on it whatsoever.
-Casey Clague

EYE OF THE STORM
FALL INTO GRACE
SELF-RELEASED CD
Eye of the Storm is a quartet that hail from the metro NYC area whose metallic leanings fall somewhere in between the powerful crunch of the NYC scene circa the mid 1990s to the wallop of bands whose metal influence are a little left of center (like Tool, Rush, and especially early Soundgarden). The 13 tracks on FALL INTO GRACE showcase a band whose stellar musicianship and dark atmosphere combine for a potent blend of heavy rock with an aura of eeriness that is hard to shake and even harder to ignore. Tracks like the brooding title track or the tribal "Masquerade" sound like a cross between the spirit of Fates Warning with the soul of Alice in Chains, making Eye of the Storm a treat for the metal fan who takes their metal seriously. website
-Mike SOS

EYES OF FIRE
DISINTEGRATE EP
CENTURY MEDIA
I've dealt with a few bands off of Century Media, the home label to forceful hardcore in all forms. Eyes of Fire's latest release, DISINTEGRATE, is no exception, staying true to the roots of what real hardcore is all about. This EP is just a small taste of what's to come early this year with the release of full-length ASHES TO EMBERS. It's not really a small taste, as "Disintegrate", "Hopeless", and "Anyone", the three tracks featured on the DISINTEGRATE EP, are loud, brutal, and to the point. I'm not sure if I'm even ready for the full-length!
-Courtney Riot

FIFTH HOUR HERO
YOU HAVE HURT MY BUSINESS AND MY REPUTATION TOO
NO IDEA
Quebec's Fifth Hour Hero play the type of customary melodic rock that's all over the place nowadays. No doubt this is appetizing to innumerable kids into the pop-punk/emo craze, as their songs are upbeat and quite catchy. Moreover, FHH seem to be fine songwriters. Yet, still I cannot seem to get into this. A noteworthy variation on the standard pop-punk formula, however, is the shared vocal duties from Genevieve Tremblay and Olivier Maguire. Personally, I prefer when Olivier takes over the vocals, which unfortunately occurs solely on the speedy, slightly dark "Kill or Cure". This four-song EP ends with "Badly Drawn", a passionate, heartfelt, yet staid acoustic number.
-Janelle Jones

FINK
SON OF FINKENSTEIN
ANTIDOTE RECORDS
Have you ever wanted to be in a horror-punk band but didn't want to commit to a devilock and mascara? Do standard punk-rock songs just seem a little too fast for your arthritic fingers to play? Then Randy Curran has a band for you, and it's called Fink. Actually, it's just old Randy on vocals and guitar. (The band's been in need of members for quite a while.) Sure, he's got the titles downó"My Momma Was a Teenage Prostitute", "I Married a Zombie", etc.óbut lacks the musical edge of true horror punks like The Damned and The Misfits. Expect to see Fink on the State Fair and tailgate party circuit for many years to come (if he can only find a rhythm section "X-treme" enough to back him up).
-Casey Clague

FLATTBUSH
SMASH THE OCTOPUS!
KOOLARROW RECORDS
Socio-political Philippine speed-metal bands are few and far between. After listening to the debut release from Southern California's Flattbush, one can see why. The band name is taken from a defunct Philippine rock band that was silenced by authorities a quarter of a century ago. The only Filipinos in the band are the two Maniago brothers, but with angry lyrics sung in a combination of Tagalog and English, the band truly lets its Asian roots show. The band's quirky style of pounding speed metal mixed with jabbering, unintelligible choruses is nearly as appealing as it is repulsive, in a strange way. Fans of Swedish death metal or Japanese hardcore might find this music creative and liberating. For those who listen to music to relieve a stressful day, this is not the right disc to slip into the CD player. Lots of props go out to these guys for a committed message but damn, I wish I could figure out what the hell they were talking about. website
-DUG

FOR THE WORSE
COULDN'T GIVE TWO SHITS ABOUT THE KIDS
RODENT POPSICLE RECORDS
I start by saying the cover is brutal. It is a picture of a watery, scandalous, mean-ass shit in a toilet. The CD itself is alright. I don't really think it is something special. Basically, it seems like For the Worse took the good old punk handbook and read it from cover to cover a thousand times. The music sounds good, and the lyrics sound perfect, but there just isn't anything original. I could probably listen to this album over and over and not get sick of it, but I already have a thousand other albums I would rather hear. Of course, if you don't believe me, then go to the Website: website
-Ian Wilkins

FRENEMIES
FRIENDSHIP
SELF-RELEASED
Self-proclaimed "famed" Oxes drummer Chris Freeland brings his friends this eccentric blend of electronica, strings, and off-time percussion. A bit overindulgent at times, but fun nonetheless. It's good experimental music, for sure. However, experimental music is essentially just someone's pet project, so, while it's interesting to listen to and fun to give to people you know, don't expect it to have any real mass appeal. And don't ever call yourself "famed."
-Casey Clague

GARAGELAND
LAST EXIT TO GARAGELAND
FOODCHAIN RECORDS
A good rule of thumb to follow is not to sound exactly like every one of your influences. It's pretty obvious from LAST EXIT TO GARAGELAND that someone is fixated on the late-'80s/early-'90s scene. Combining elements of The Lemonheads, The Pixies, Pavement, Sebadoh, Archers of Loaf, Nirvana, and...oh hell, every band from that era, Garageland have created a sound that would be awesome if it hadn't been done so many times before. Fans of Garageland, however, should be thrilled, as this record is a re-release of their 1997 debut, with eight bonus tracksóone of which is a cover of The Byrds' "So You Want to Be a Rock and Roll Star".
-Casey Clague

GIRLISH FIGURE
ROTTEN TO THE CORE
RODENT POPSICLE RECORDS
Let me just say that just because you're a chick and you can reach those high notes doesn't mean you have to. ROTTEN TO THE CORE is a pretty cool album, except for when they get all slow and they start to get preachy about love and shit. If you're a fan of Courtney Love, L7, or anything else with a bunch of lesbians in the band, then put on your leather chaps, hop on your Vespa, and pick this CD up before your girlfriend does. One more thing: it is hard to come across dark and gothic when you sound like you were an extra in FAST TIMES AT RIDGEMONT HIGH. Valley girl, like, for sure. Gag me with a spoon.
-Ian Wilkins

GODHEAD
EVOLVER
REALITY ENTERTAINMENT
Having picked up their bags and moving from Marilyn Manson's Posthuman Records, Godhead dropped the goth and picked up the mainstream rock. While keeping with the black attire and disturbing album cover, Godhead's refreshing yet surprising new sound is bound to pick up a new fan base. Sticking to a much more user-friendly sound, EVOLVER allows the listener an opportunity to appreciate the talented vocals and significantly less harsh instrumentals of Godhead from track to track. With emotionally-driven ballads like "Dream", EVOLVER opens up a whole new chapter to the Godhead story.
-Carley Charpentier

GONER
HOW GOOD WE HAD IT
BIFOCAL MEDIA
For real, where have these guys been all my life? I know they've been in Raleigh, NC, selling the shit out of your debut CD, DOLLAR MOVIE, but when I received HOW GOOD WE HAD IT to review, I kicked myself for not finding them earlier. Considering their exceptional songwriting skills, they probably figured they didn't need to record any guitar tracks for this CD. The mixture of a dirty bass sound and layered keyboard effects makes up for it and pretty much allows you to forget that there is no guitar present...and, honestly, it's not even missed after listening to the songs a few times. Some of the vocals remind me of R.E.M. at times, Archers of Loaf at others. If you like rockin' indie music, then pick this disc up soon.
-Joe Wilson

GUNMOLL
BOARD OF REJECTION
NO IDEA
From the moment the sounds of Gunmoll's full-length debut, BOARD OF REJECTION, reached my ears, the vocals of Mike Hale tugged at my core. In conjunction with the beauty of Hale's vocals, the strength of the pulsating drums and the charismatic string arrangements clearly demonstrate their skill, musical talent, and unity as a band. The sound shifts from fast-hitting and mosh-worthy to heartfelt songs of lost love. If you're looking for bland songs absent of fun and powerful songs, don't bother picking up BOARD OF REJECTION; but if you want loud and bold, BOARD OF REJECTION is sure to make your ears bleed. website
-Breanne Dunn

HALF PAST GONE
AFLOAT-PROMO
SELF-RELEASED
This is an independent release by an independent band, so I will go easy and try to keep an open mind. I knew what I was in for before I even opened the CD package when I read: "If you do not like this CD then please give it to a friend that might" on the back of the package. The only problem is, I don't have any friends that would like this CD, so off to the garbage it goes. But it turns out that this is their first full-length, so let's give them the benefit of the doubtóand a few pointers: turn the crunch down on the guitars, stop ripping off Davey Havok...and these songs could be bearable.
-Joe Wilson

HANDSOME DEVIL
KNOCK YOURSELF OUT
DIABLO GUAPO
Right from the start, it is apparent the similarities between Handsome Devil and Lit. Their debut album, LOVE AND KISSES FROM THE UNDERGROUND, was produced by Jeremy Popoff of Lit/Dirty Martini. This new release is Handsome Devil's self-produced debut, and it shows many similarities to their first album, including recording style. The steadily-paced drums lead the path for driving bass lines and harmonic hooks. The tracks are moderately paced and have similarities to Good Charlotte. All in all, there is nothing new here, but a well-put-together pop/rock album that will most definitely find itself in the background at local pool halls.
-Kevin Conway

HANOI ROCKS
TWELVE SHOTS ON THE ROCKS
LIQUOR AND POKER MUSIC
Finland's Hanoi Rocks has been not much more than a footnote in the Motley Crue story (Hanoi Rocks drummer Razzle was killed in a car driven by a wasted Vince Neil in 1984). But after a 17-year absence, the group has reformed. And while this brand of glitz and cock rock is not my cup of meat, it is obvious to anyone listening to TWELVE SHOTS ON THE ROCKS that Hanoi Rocks can play and write some solid muscled-up glam/hair-band rock. So, if you are missing the hairspray and big showbiz rock of the late '80s, get up and go get TWELVE SHOTS ON THE ROCKS.
-H. Barry Zimmerman

HIGH TONE SON OF A BITCH
BETTER YOU THAN ME
THRONE/SHIFTY
There's something interesting about this band, and I guess it's that they're pretty much the only stoner-rock group I've ever been able to endure. Something about this band is inspired by The Grateful Dead, but with more modern rock influences. I mean, it's actually entertaining. The guitar work is at least interesting, and the overall sound has got a great feel to it. If you dig Magnified Eye or Kyuss, you're going to miss out if you don't buy this record. There's even some good synthesizer work on the disc, adding to an already thick sound. This is only an EP, but the best song is easily "Last Dance". Not much to complain about here, except that the tracks do sort of seem to run together just because they sound so similar. But some people like that. If you're one of those people, go get this!
-Hibbard

HOTWIRE
THE ROUTINE
RCA RECORDS
The latest release from Deutschland's pseudo '80s rockers Hotwire is a thing of beauty (and a bit of a beast). Americans should be very afraid when foreigners start sounding more like an American band than Americans. The 12 tunes on this disc are a celebration of all the great hair bands: Dokken, Keel, StryperÖWait a secondÖDid I say great? Well, when it comes to bombastic rock ballads with really catchy melodies, it doesn't get much better than this. These guys have a big following in Europeóand with good reason. If any of the lame-ass hair bands of the '80s had sounded this good, I never would have cut my hair. After beating you over the head with some solid rock, this is a band that is not afraid to pull out an acoustic guitar for a minute-long solo at the end of a tune. Well-written tunes, great musicians, and an interesting lead vocal...Rock on, dudes. website
-DUG

IDIOTWIND
MAYBE TOMORROW
SELF-RELEASED
San Diego is the home of many aspiring bands. At first listen, Idiotwind sounds like another band from this Southern CA Mecca playing outdated songs. So I took the album title as a suggestion and thought that maybe I'd like it in the morning. Granted, it wasn't as bad as the first listen, but it didn't get any better, either. Idiotwind formed in '00 with just a drum machine, so this material is probably leaps and bounds from where they started, but it just sounds like this style of '90s rock music would only appeal to someone in their mid 30s. If you fall into that age range, you might dig this.
-Joe Wilson

JASON ANDERSON
NEW ENGLAND
SECRETLY CANADIAN
The new release from this Portland, OR, minstrel is a journey into the bland. Although Anderson reaches for the stars with some poetic lyrics on much of the album, there is just too much emphasis on him pissing his own pants and being fucked up. There is a place for profanity in rock, but maybe the best place isn't a quiet, barely musical CD where all the emphasis is on the lyrical content. Most of the music on this disc is simple acoustic guitar and piano (though there is the occasional tambourine poking though the background noise). There is a lot of amateurish talking in the background here, giving the album the feel that much of this was recorded in somebody's living room. Some emo fans might like this type of disc for its lack of commercial appeal...but then again, some emo fans might like anything in a black turtleneck. This release comes from Secretly Canadian, which ought to keep it kind of a secret until Anderson writes more appealing music. website
-DUG

JUST A FIRE
LIGHT UP
ASIAN MAN
Chicago trio, Just a Fire, is an explosive branch of indie rock. Fred Erskine (Hoover, June of 44), Chris Daly (Sweep the Leg Johnny), and Scott Adamson (Abilene) joined forces to create one unique debut Asian Man release. The songs are heavily influenced by the protection of free speech, giving them a very Clash and Police feel. This 37-minute, nine-track CD is probably the most refreshing thing in the scene since Joe Strummer took to the stage. The entire album is raw, but striking me the most was track 7, "Where the Weeds Grow". The unity of guitar, bass, drums, horns, and vocals display unmistakable talentóand a message. Take a step outside of the ordinary and indulge yourself with a refreshing sound of promise. I'm looking forward to hearing and seeing more of Just a Fire in the future. website
-Courtney Riot

KITCHENS & BATHROOMS
VEHICLES BEYOND
FORGE AGAIN
The first thing that strikes you when listening to this album from Canadian trio Kitchens & Bathrooms is the arresting vocals of the lead singer (whose name is impossible to find). His voice is so striking that it nearly drowns out the music...which would be a shame, as it has the potential to engage your attention and interest as muchóif not moreóthan the singer. The incredible drumming on "First One In, Last One Out" will steal your breath away, but the rest of the instruments in the song are just as impressive...which seems to be a running theme (varying which instrument takes the lead) in the entire album. Definitely a winner overall and an album worth rushing out right now to get.
website
-tChow

LIARS
THEY WERE WRONG, SO WE DROWNED
MUTE CORPORATION
When Liars, one of the NYC indie scene's better-known and well-liked bands, set out to create their third album, they hoped to grow away from the sound featured on their last album, THEY THREW US IN A TRENCH. Despite the many bands that proclaim growth in new releases, Liars has actually delivered. THEY WERE WRONG is a beautiful story album, painting a mystical and eerie picture of witchcraft and all of its mysteries. Songs switch perspectives from that of witchery to those opposed. The story is not told only through the lyrics and the titles, but also through the very organic and tribal nature of the sound of the entire album. Primitive drum beats, haunting guitar parts, and by chanting make for a truly creepy but wonderful album. website
-tChow

LONG SINCE FORGOTTEN
STANDING ROOM ONLY
ROCKETSTAR
Baring similarity to such power-pop powerhouses as Jimmy Eat World and The Get-Up Kids and to newer loved bands like Mae and Copeland, this band sounds like it will be another winner. As the album pushes onónever growing tired or tedious and always inciting head-bopping and foot-tappingónothing conflicts with the first impression Long Since Forgotten incites. This four-piece (with three members) have played together since 1999, and its current lineup (together since 2001) here releases its first full-length from Rocketstar Recordings. STANDING ROOM ONLY is a beautifully and cheerfully crafted album, with a professional and mature sound a bit unusual for a newer band. Nothing except bad advertising and distribution can stop this band from blowing up. Purchase of this album is highly encouraged. website
-tChow

LOSTPROPHETS
START SOMETHING
COLUMBIA
Lostprophets are back with a vengeance on its sophomore effort, START SOMETHING. Wheeling out its uniquely grandiose brand of rock, producer Eric Valentine's sound sculpturing pushed and expanded the outfit well beyond the beleaguered audience's perceptions, balancing out what was missing from FAKESOUNDOFPROGRESS and allowing the clan to reclaim its position as best British rock band. These 12 new songs, ranging from the raging "We Still Kill the Old Way, "Burn, Burn" to the ultra-catchy "10, 3", affirm the band's lofty position, and the sextet's short career has reached yet another milestone: being able to capture its angst in a very unorthodox way. When the smoothness of Sade gives way to a sing-along chorus, songs like "Goodbye, Tonight" scream from within and show just how Lostprophets turn up the intensity without cranking the volume. This album will be the measuring stick for 2004. website
-Mike SOS

MADBALL
NYHC EP
THORP
When you ask any current hardcore band ripping it up these days about its influences, a few names always pop upóand one of them is always Madball. Well, thanks to the resurgence of hardcore (with bands like Sworn Enemy and Hatebreed leading the pack while carrying the torch in Madball's absence), the Queens, NY, quartet have mounted a comeback. This four-song EP shows that the boys still have the wares to create the powerful, gritty music that paved the way for the merger of the NYHC and metal scenes. By the looks and sounds of things, Madball stands to reign supreme again as one of the forefathers of hardcore. website
-Mike SOS

MADCAP
UNDER SUSPICION
VICTORY
Chances are that, if you like Rancid, Madcap will find a place in your heart, as well. This SoCal punk-rock outfit's latest, 11-track offering strikes quite a few chords with both the punk/ska community and the rock crowd, making UNDER SUSPICION the most well balanced of the band's works. Citing not only the obvious The Clash and The Jam influences but also taking it back to such rock luminaries as Bruce Springsteen and Elvis Costello, Madcap incorporate the big rock sound of the '80s masterfully in such tunes as the reggae-flavored "Under Suspicion" and the rebellious jolt of "Youth Explosion". Yes, the band wears suits and ties and looks like an average skankin' rawk band, but underneath it all lie a lot of heart and solid slabs of melody that make Madcap the street-punk band that you can hum along to. website
-Mike SOS

MAP
SECRETS BY THE HIGHWAY
VELVET BLUE MUSIC
One of the best dream-pop bands I had heard in a while was The Black Watch. Now, I can easily say that Map is another band to take notice of. SECRETS BY THE HIGHWAY is a beautiful record, combining an intricate, airy sound that's both relaxing and intriguing at the same time. "Beautiful Friend" and "Riverside" are standout songs. They're like the Sunday drive you'd take with your girlfriend on the roads that lead to anywhere. SECRET is a dreamer's album, and that's fine with me.
-Darren Ratner

MEZZANINE~C14
HE KEEPS SILENT AND SACRIFICES HIMSELF
BREAK EVEN RECORDS
This creatively-named band claims home to be New Jersey. Not one to go against New Jersey tradition, the group takes a stab at progressive hardcore by adding elements of indie guitar and spastic, distorted vocals. Although the attempt at creativity is noted, there is a huge dynamic from one song to the next. This gave me difficulties when I tried to capture the essence of the band. The songs really have no structure, and it feels as though, instead of seeing the album as a whole, the band has chosen to write each song as totally separate from the rest. This broke the album into pieces, which can only be described, as post-hardcore. If you were to combine Converge with elements from At the Drive-In and Far, the outcome might very well be this band.
-ADF

MIKE MARTT
TOMORROW SHINES BRIGHT
SUPERSCOPE RECORDS
The solo debut from this veteran Southern California frontman (an ex-guitarist and vocalist for Tex and the Horseheads and Thelonius Monster) is simply one of the best rock albums in recent years. The back-up band has great credentials, also, with ex-members of such bands as The Cult, Jane's Addiction, Lucinda Williams, and Tom Petty and the Heartbreakers. With a calm, confident style that sounds a lot like good Wallflowers with an edgier singer, Martt puts his heart and soul into 11 classics on this disc. It's hard to pick a standout track off this excellent album. With consistently appealing songwriting that has songs echoing through your head for days, this is the kind of disc you can just leave in your player for weeks on end. website
-DUG

MOJO RIB
MOJO RIB
NUTHING SACRED
Third-rate AC/DC riff rock complete with double entendres and bland stupidity, you're sure to lose more than a few brain cells after a few spins of this disc. Mojo Rib's snotty, insincere punk-tinged vocals don't contribute much, either, but the band's devil-may-care attitude (brought to fruition by such brainteasers as "Fat Lady with a Gun" and "You Need Rock") should come with a complementary foam trucker hat. It's that passÈ, and it may make Lit look like Tool, but the 10 tracks of decadent party rock should be a resounding success at the Friday night frathouse kegger. website
-Mike SOS

NEKROMANTIX
RETURN OF THE LOVING DEAD
HELLCAT
After almost two years upon its release date, what better time to bring back the RETURN OF THE LOVING DEAD with the April approach date of Nekromantix's next Hellcat full-length, DEAD GIRLS DON'T CRY? It's psychobilly's own horror-induced version of The Stray Cats. Mixing up the 1950s, classic horror themes and letting the punk, psycho, and rockabilly world collide, these Danish psychobillies are hell on earth, both literally and figuratively speaking. With a trademark stand-up coffin bass, howling vocals, and 13 tracks to match that, this trio seems to be the new leader in the psychobilly world. Any EVIL DEAD fans out there? Nekromantix will bring a new light to the word necronomiconÖor should I say, nekronomicon? website
-Courtney Riot

NEUTRAL AGREEMENT
THE JOYFUL FACADE
FUTURE DESTINATION RECORDS
Drawing influences from the likes of Saves the Day, Taking Back Sunday, and The Get Up Kids, Neutral Agreement hasn't created the most original music, but still accomplish a solid and pleasant sound in their second full-length, THE JOYFUL FACADE. A lot of tracks sound similar, surrounded around straightforward indie/pop rock melodies combined, at times, with a heavier, somewhat metal influence. It appears that this band listened to a lot of MxPx before making this album, especially "Slowly going the way of the buffalo". Standout tracks on the album are "The Last Prediction" and "As Words FallÖ". If you are in the mood for something enjoyably generic and easy to swallow, your quest has ceased.
-Anthony

NEW BOMB TURKS
SWITCHBLADE TONGUES, BUTTERKNIFE BRAINS
GEARHEAD
The latest full-length release from New Bomb Turks has been described as more of an unreleased "Best of" than an "odds and ends" collection. While a majority of the tracks are unreleased cuts of last year's THE NIGHT BEFORE THE DAY THE EARTH STOOD STILL, this 16-track LP/CD features a few remarkable covers, such as Aerosmith's "Chip Away the Stone" and The Devil Dog's "Death of Mighty Joe". It's all hits all the way around with the New Bomb Turks' latest release. Trust me, it's been on heavy rotation ever since I got my hands on it. Also included in their eighth full-length album, the Columbus, OH, punk-underground favorites added a five-minute trailer for the new DVD (scheduled to be released later this year). website
-Courtney Riot

NO CASH
RUN YOUR POCKETS
VMS
Fucking insanity is what Nazo (i.e., Nazareth, PA) quartet No Cash unleash on their debut LP. Rightfully referred to as "goblin-core" by VMS honcho Adam, frontman Chris's vocals are demonic, as he venomously spews out one pertinent anti-authority message after another, all atop incredibly fast and unabashedly feral ska-laced hardcore punk. Essential tracks include the absolute crËme de la crËme "Wilkes-Booth Style", the blasphemous "Pierce the Gates" (with its shouts of "burn a church!"), the God-forsaken "Pure Evil" (on which Chris's frantically squealed vocals are at their most fiendish), and the catchy "Homelife Is a Drag" (which ends with a surprisingly sweet piano coda (a flourish that appears once again during the finale)). And what of the penultimate track, the rap-infused "Gasoline"? You gotta hear it to believe it. All in all, this is one wild ride for fans of bands like Leftover Crack and Against All Authority.
-Janelle Jones

NO MOTIV
DAYLIGHT BREAKING
VAGRANT RECORDS
Most people are not aware that there exists a secret army bent on the destruction of music as we know it. Depth, passion, and ingenuity are their enemy. You will know them by the use of such phrases as "I'm falling into darkness," "Feel my soul slipping away," and "I think my head would explode if I could ever manage to think of anything but my pathetic failed relationships." The headquarters of this militia is in Santa Monica, CA. It goes by the name "Vagrant Records," and they have a little fighting man in their logo. I AM NOT MAKING THIS SHIT UP. They will not stop until every man and woman wears a neckerchief and every child is issued a No Motiv record at birth.
-Casey Clague

NON-PROPHETS
HOPE
LEX RECORDS
All right, stop your doin', 'cause Non-Prophets are about to ruin the image of the style that your used to (sorry, perhaps one reader will get that). True hip-hop aficionados will reminisce while Sage Francis ad libs verses (here and there) to songs from Eric B., Rob Base, Das Efx, KRS-1, and A Tribe Called Quest (just to name a handful). At an age when youngsters on the underground scene are unfamiliar with the classics from the golden age of hip-hop, it's refreshing to hear someone bring a little touch of the old into the new. Often compared to Anticon, Non-Prophets boast lyrics like "I go to Fugazi shows and request Minor Threat songs" and "You're stupider than a Pakistani at a Klan rally". Sage even drops lines that mention Michael Moore, Ani DiFranco, and Dancer in the Dark, all backed by Joe Beats tight production. These cats are definitely not down with the mainstream. non-prophets.com" target="_blank">website
-Jude Ruiz

NO-REFILL
NOT ANOTHER SELF TITLED DEBUT ALBUM
SELF-RELEASED
This is the type of release that causes the listener to scratch his head and ponder whether or not the band is, by some insane chance, actually serious. After reluctantly listening to NOT ANOTHER SELF TITLED DEBUT ALBUM a handful of times, I reached the conclusion that No-Refill is, in fact, as serious as a heart attackósomething presumably much more enjoyable than this half-assed venture into rap-metal circa 1997 (though it wouldn't be anymore tolerable then, either). This record's dropped-D redundancy and wildly corny lyrics (whether delivered in the form of nu-metal growls or cheeseball raps) made me fear that a WWE wrestler was going to appear at my doorstep and make a grand entrance by slapping fives all the way down my hallway before kicking down my door and body-slamming me into a bookshelf. This album is enough to make Disturbed blush in embarrassment.
-Dave Kargol

ONE SIX CONSPIRACY
WORDS FILL TIME
TRIBUNAL RECORDS
One Six Conspiracy are a quartet out of Charlotte, NC, whose brand of infectious pop brings them comparisons to Further Seems Forever, Juliana Theory, Waxwing, and Rocky Votalato. This debut album obviously zeros in on melodies, which are most apparent on tracks like "Just Drive" and "Ephemeral" (when One Six are at their best). The band is not as effective when they try to rock, but that's okay, because there are enough catchy hooks here (as on "Close Your Eyes") to keep you listening. tribunalrecords.com" target="_blank">website
-Jude Ruiz

POLEMIC
PLASTIC ON THE MOUTH HOLE
ROY G BIV
Polemic is a coed duo from Athens, GA, and their highly experimental songs are no easier to predict than the twists and turns of any dark and unfamiliar highway. Like a partially cooperative mental patient, their behavior is always fleeting and potentially hazardous. Unequal portions of frisky female jingles, sobering lulls, and ferocious outbursts personify PLASTIC ON THE MOUTH HOLE into a jumbled music salad (dressing not included). Here, the band's progressive musicianship fires off in any imaginable number of directions, yet ends up creating a tangent that is truly its own. "Hit Bottom Now" moseys into a steady western romp, only to shatter into shredding yelps and flanging solos. Vocalist McKenna Mackie's Courtney Love-style vocals fluctuate as tired groans duke it out with tortured screamsóand occasionally vanish unannounced for extended periods of time. Whether you like it or not, Polemic's experimental art is intriguing and undeniably their own.
-Dave Kargol

PROBOT
PROBOT
SOUTHERN LORD
This may be the metal album of the decade...and the funny thing about it is that it comes from an artist you'd never expect. Dave Grohl, best known as the drummer for Nirvana, head honcho of Foo Fighters, and everyone's favorite hired gun (just ask Queens of the Stone Age and Killing Joke) has compiled an 11-track metal album that brings real metal back into the spotlight. Grohl's pet project, known as Probot, is an ambitious endeavor, picking up where Black Sabbath's Tony Iommi's latest solo work left off. Grohl wrote and arranged some kick-ass metal tunes, andómuch like Iommiófarmed out the vocals to some of metal's luminary vocalists. The end result is the crushing self-titled album that reads like a who's who of metal. Listing in order of appearance: Cronos (Venom), Max Calavera (Sepultura), Lemmy (Motorhead), Mike Dean (COC), Kurt Brecht (DRI), Lee Dorrian (Cathedral), Wino (The Obsessed, Spirit Caravan), Tom G. Warrior (Celtic Frost), Snake (Voivod), Eric Wagner (Trouble), and last but not least, the majestic King Diamond lend their talents to one of the most engaging metal releases in recent memory. A must-have for any self-respecting metal fan, Probot hits all sects of metal and may garnish Grohl the respect he richly deserves as a true musical genius. website
-Mike SOS

RAUNCHY
CONFUSION BAY
NUCLEAR BLAST RECORDS
Here comes Raunchy, Europe's answer to the melodic metal craze that has swept the U.S. metal scene. The band would do well opening for the likes of Slipknot, since it shares many common traits with that already-famous radio band. Elements of Norwegian black metal can be traced in the synth samples, yet the rest of the music is a derivative of progressive metal and hardcore. Catchy, melodic choruses meant to capture the listener offer a decent dynamic from the brutal screaming, but they lack definition. The lyrics seem very pensive, although the artwork coincides with the title: CONFUSION BAY.
-ADF

RESCUE
VOLUMEPLUSVOLUMEPLUS
FORGE AGAIN
Combining elements of math rock, post-punk, screamo, and post-hardcore, Rescue's first full-length, VOLUMEPLUSVOLUME, is released from Forge Again with a bonus disc of their EP EVEN PEOPLE AND NOT THE ODDS. Enlisting the help of reputable producers, this relatively young band from Detroit is able to craft a mixture of seemingly irreconcilable sub-genres to produce a release that is truly likeable and impressive. Besides the high-quality music on this release, you get two discs with your purchase, allowing you to enjoy the full catalog of Rescue releases with limited purchasing activity. What more can you ask for?! website
-tChow

RETCONNED
GAME SOUNDS
STICKFIGURE
Sometimes, groups create weird music for the sake of being weird. GAME SOUNDS is definitely in the top 10. Just picture Trent Reznor tripping on acid with Orgy. The beats and rhythm are strictly of the Atari/Coleco Vision persuasion, with bleeps, blops, bangs, and buzzing pervading. It's actually nothing to scoff at if you're into music that teeters on unearthlyójust don't search for this in the punk or rock rack.
-Darren Ratner

REVENGE CITY
S/T
RIDGEMONT RECORDS
Revenge City is just on the verge of hitting it big. It has a loyal fanbase, a tour in the works, and have recently won a contest put on by America Online. Not bad for a band that's only been around for a little under two years. Vocally, the bands sounds a lot like a mixture of Blink 182 and Face to Face. I was able to look past the obvious Blink 182 similarities and hear a band that seems to be trying to throw all of their influences together in a bowl, mix it up, and see what happens. At times, the songs sound a bit forced, but on "A Pistol, A Rifle, And A Shotgun" and "Blingo", Revenge City show what it can be with a little more experience and a chance to create its own identity. There's also a decent cover of "Bikeage" to close out the record.
-Dane Jackson

RITTER
SIX DEGREES OF VARIATION
JUMP START RECORDS
From the beginning of the opening track "Free", I knew I was in for a treat. Ritter's SIX DEGREES OF VARIATION just oozes with energy. Not only that, but these Pennsylvanians break the tradition punk rock mold and create a nice little hybrid of pop punk, hardcore, rock, and melody. Usually on albums, bands try and create a certain sound that can connect each song together. It seems like Ritter didn't want to do that because each song sounds like it could have come from a different band. If you think about it, that sounds like a stupid decision, but it works very well for Ritter. Not only is it a chance for them to show off its talent, but it also makes this release have something for everyone. With a polished sound that was due to the production of Nick Rotundo and the overflowing talent of these guys, SIX DEGREES OF VARIATION is one of the first must have releases of the year. Might as well get it now so you can have more scene points later. Also, on a personal note, I have to give these guys tons of credit for taking my favorite author's words and turning them into a great song. It really adds a different perspective to his writing.
-Dane Jackson

ROCK CITY MORGUE
SOME GHOULS
ANTIDOTE
Coming straight out of New Orleans, a land of voodoo and debauchery, Rock City Morgue are five punkers who can't get enough of horror movies and The Cramps. This EP is a great preview for what's to come from these guys. It's a little-known fact that Sean Yseult from White Zombie plays bass in this band! Well, the songs have an old-school sound to them, but with a touch of rockabilly. Let's say they sound like The Ramones, The Cramps, and Black Magic all mixed together. If you're into the genre of horror-punk, or willing to try something new, I'd suggest picking up this disc.
-Hibbard

RUNNAMUCKS
OF A DIFFERENT BREED
SIX WEEKS
Runnamucks is a thrashing force of antagonizing, in-your-face, electrifying music set to blow you away bit by bit. OF A DIFFERENT BREED captures 14 tracks of hardcore, punk-infused thrash that will continuously make your body rock. Favorites off the album include "Gotta Get a Grip", "In for the Kill", "D-R-A-G", and "When I Feel Like I'm Halfway Here". It's a new sound for me to grasp on to, and I'm loving every second of it! Listening to this album gives me a mental picture of what a Runnamucks show would be like: complete chaos. website
-Courtney Riot

SADAHARU
ANTHEM FOR NEW SONIC WARFARE
CL
Sadaharu is an adventurously well-versed rock band that likes playing and composing edgy music that has no problem holding the hammer of the gods, yet contains the jazzy undertones of Fugazi or At the Drive-In. On the quartet's smarter-than-most 10 tracks, the twin-guitar attack weaves interesting melodic tapestries of sound, while the bass and drums play locked away somewhere in the distance. When put together, tracks like the sly "Absinthe Makes the Heart Grow Fonder" become hypnotic anthems that blend hardcore, indie punk, and noise rock into one clever concoction.
website
-Mike SOS

SALLY'S GAP
MONKEY BONE
INVISIBLE MASS RECORDS
Arizona ska veterans The Poland Brothers team up with Johnny the Fox and Jason Bond on this disc to put out one of the year's best albums as Sally's Gap. Johnny and Jason are old pros when it comes to Celtic music, and the mixture of ska with Irish folk is infectious and addicting. With 17 brilliant tracks utilizing bagpipes, Irish flutes, and accordion, the musicians mug their way through this music with a smile and an insidious leer. There are some strange, creepy moments with the between-track voiceovers and some very refreshing whisky songs. This music is all about good times, drink, good friends, drink, sex, and lots of drinking songs. Of course the band puts a great rendition of "Drunken Sailor" on the album, along with a great female vocalist for the final song, "Stolli's Tune". This is a classic for any fan of Celtic music.
-DUG

SCARS OF TOMORROW
ROPE TIED TO THE TRIGGER
VICTORY
California metalcore troupe Scars of Tomorrow's 11-track debut provides all the necessary elements for a crushing introduction. This quintet blend menacing mosh parts that give Swedish death-metallers a run for their money with Deftones-esque breakdowns on songs like "Break the Fall", yet ROPE TIED TO THE TRIGGER has its fair share of chugging guitars and buzzsaw rhythms in full effect on tracks like "Abandonment". These traits, plus the production skills of Converge's Kurt Ballolu, give Scars of Tomorrow a versatility that many of the group's peers don't enjoy. The perfect blend of East meets West metalcore? You be the judge...but be prepared to get pummeled in the process. website
-Mike SOS

SCIFLYER
FAIR WEATHER KARMA
CLAIRECORDS
After quasi-vocalist Steve Kennedy's first band, Estuary, decided to call it quits after one show, he teamed up with his wife Kim and formed Avrocar. After acquiring a new drummer and a new name, Sciflyer was born. If you ask me, a change of style would have been good for themóbut no one asked me, so let's leave it up to you. If you think lyrics have no place in music, like repetitive sounds recorded at low quality, and have an hour to kill, then FAIR WEATHER KARMA is perfect for you. For this type of music, where the vocals are few and far between, the music should be damn near amazing. But they forgot to write good music. And even if they hadn't, their eight-track recorder would not do it any justice. I think I'll pass.
-Joe Wilson

SEA OF TOMBS
SEA OF TOMBS
GRAVITY
Sea of Tombs are a psychedelic garage-rock trio who spit out wailing instrumental jams and avoid studio polish as if it were rat poison. The band is steadfast in their bare-bones approach, as the entirely of this six-song LP sounds as if it were recorded in a giant shoebox. This is, without a doubt, organic rock 'n' roll, free of the additives we consume so regularly. And although we're all admittedly fans of exceptionally-recorded albums and studio fanfare, it's kind of nice to see quality rock in its skeletal form. Here, high-string doodlings float atop grungy rhythms and inspire visions of swirling tie-dye colors and scraggly hippies dancing around a distant and blazing bonfire. This self-titled release plays like a single, uncut jam session (all but one song break the seven-minute mark). Although these tracks seem less like individual units than slices of the same pie, they're delectable nonetheless.
-Dave Kargol

SEEKONK
FOR BARBARA LEE
KIMCHEE RECORDS
The debut album from this Portland, ME, quintet is the type of disc that makes you want to pound your head against the wall just to wake up. This is a band that makes Radiohead sound like a speed-metal group. The incredible effort expended by these musicians just to change a chord makes one wonder: Why bother? This CD seems like one long endless loop of slow, boring noise. Perhaps the album could be added to digital alarm clocks as one of the "white noise" sleep tracks. The press for this band would like to have them compared to Pink Floyd or The Velvet Underground, but those bands actually had songs. To their credit, the members of this band do play some interesting instruments on the album, such as a theremin, xylophone, and cello, but all the weird instruments in the world won't make a song out of a series of endless noodling. See Konk. See Konk jam (real slowly). See Konk learn (to write a song). See Konk succeed.
-DUG

SEROTONIN
FUTURE ANTERIOR
BIFOCAL MEDIA
The 12th and highly-anticipated release from mid-'90s rock band Serotonin has produced quite possibly their most audience-friendly work thus far. Deeming themselves a high-speed math-punk band from Tennessee, Serotonin calculated some intense tracks for this recent release. Lead singer Andrew Walker's vocals are fresh and young, but the overall sound produced by these Southern rockers are anything but young. Having clearly developed their sound and fluidity as a group, FUTURE ANTERIOR is an album for all. The bass and drum beats keep the pace, while vocals arouse the listener from track to track.
-Carley Charpentier

SICK OF IT ALL
LIFE ON THE ROPES
FAT WRECK CHORDS
The myth, the legendóit's Sick of It All. The infamous hardcore-punk fiends are at it again. The latest installment in a brutal career has not disappointed this avid fan. Still pissed off at the world and not afraid to show it, the band has once again put out a solid hardcore-induced punk album that gives you the urge to kick someone in the face. Obviously pissed off at the constant commercialism of the punk movement, track 4, "Paper Tiger (Fakin' the punk)", is an angry reply to witnessing of a great underground scene slowly eating itself away. This track is my personal favorite. If you're a punk or hardcore fan and still haven't bought any Sick of It All records, this release would be a good start.
-ADF

SINCE THE FLOOD
VALOR AND VENGEANCE
IRONCLAD
Hardcore has always been music for the oppressed to lash out against the establishment in the most brutal form possible, and new jacks Since the Flood run with that ideal throughout the quintet's 10-track release. This Massachusetts-based group's debut release falls right in with the lot of East Coast, tough-guy, chugga-chugga, screaming hardcore with nuggets of lyrics that scream of defiance and overcoming life's obstacles. Since the Flood's hardcore offering should make fans of bands like Full Blown Chaos, Unearth, and Bury Your Dead very happy, as it encompasses the passion and power that these bands possess without sounding derivative. website
-Mike SOS

SKARE TACTIC
REMEMBER WHEN
THORP
Skare Tactic is an amazing group of individuals who are completely aware and in control of exactly the type of heavy music they're creating. They are straight-up East Coast hardcore with a sound similar to Death Threat and Madball. The bottom line is: there's nothing to dislike about these guys. The vocals are extremely rough and not for the light-hearted, while the riffs are even more brutal and guaranteed to feed you a heaping dose of old-fashioned hardcore. Anyone who owns some Agnostic Front, Hatebreed, and Sick of It All albums is going to want to own this "diamond in the rough" of a disc from a band that deserves more credit than it gets. Look out for their shows coming up soon.
-Hibbard

SLOKA
SLAP HAPPY!
ALL YOU CAN EAT MUSIC
I wasn't sure what to expect when I put this CD in my computer. I can see the punk influence in Sloka, but I definitely wouldn't put it into the punk genre. It's the typical rock band with a light punk influence. Fast drums, fast guitar riffs, and mediocre vocals/lyrics. I had to retract my opinion once I reached song 6, "Remments". The small drum breakdowns during the chorus followed by an insane guitar solo made me want to dance! Immediately following, "Locked Out" became a new favorite. The chorus is catchy as hell. So while they display the characteristics that could define them as a mediocre punk influenced band, let me reassure you: this band has songs that are so odd in structure that it's too catchy to forget! How could you not want to move your body while listening to something like this? website
-Courtney Riot

STAMPIN' GROUND
A NEW DARKNESS UPON US
CENTURY MEDIA
Stampin' Ground's latest record, A NEW DARKNESS UPON US, is considered to be (by Century Media standards) the band's "latest masterpiece." Well, not exactly. It's not that this U.K. quintet can't wail. This is some pretty potent metal, whether you're listening to "Killer of Society", "Don't Need a Reason To Hate", or other tracks. The only issue is that you can get the same grimy jolt when listening to anything by Pantera.
-Darren Ratner

STAMPIN' GROUND/NORTH SIDE KINGS
ALLIED FORCES SPLIT CD
THORP
What a great split: England's Stampin' Ground and America's North Side Kings cover a bunch of essential hardcore/thrash bands. like the godly D.R.I., Agnostic Front, S.O.D., Suicidal Tendencies, and the fucking Cro-Mags, to name a few. Whereas SG solely offer up covers, NSK crank out one original tune, the pummeling "Home of the Brave". Along with their S.O.D. choice of "Fuck the Middle East" and the "Don't fuck around with America!" quote in the liner notes, there's no question where NSK's allegiance lies. Anyway, a testament to the enduring legacy and enormous influence these pioneering acts have had on today's hardcore/metal bands, this is just a tremendous release for anyone longing to hear updated versions of classics like "I'd Rather Be Sleeping" and "Malfunction" and a fine crash course for neophytes who have a penchant for today's hardcore to get schooled in how it all began.
-Janelle Jones

STILL LIFE
THE INCREDIBLE SINKING FEELING
GREYDAY PRODUCTIONS
The third full-length release from Los Angeles emo veterans Still Life is a sad but powerful affair that delivers the band's music like a soft sucker punch to the gut. With songs like "Greet the Bringer of Pain", "Aband- -on Hope All Who Enter", and "Godforsaken", this is definitely not the feel-good album of the year. The starkly beautiful album art and liner dedications to "all those we have lost along the way" reinforces the feeling of loss and separation. While the band's bleak outlook matches well its hardcore emo approach, there's only so much pain one person can stand. This album is best listened to after a nice day in the sun or before a trip to an amusement park. That way, the listener can appreciate the dark beauty of this disc
without launching into some downward spiral. It's also probably not a good gift idea for that manic depressive friend of yours.
website
-DUG

SUFFERING AND THE HIDEOUS THIEVES
ALL MY FRIENDS ARE ON PROZAC
LUJO RECORDS
If Suffering and the Hideous Thieves speak loudly to a depressed nation with ALL MY FRIENDS ARE ON PROZAC, you might need a small fix after hearing this one. It's definitely an honest EP, with four tracks of dark, sneering music that put you in a zombie-like state. "Immaculate Sound of Infiniti", in particular, marches on with this '80s-horror-flick sensation. The wavy guitars, robotic vocals and intermittent-yet-creepy audio make it into a wacky dream. Give this a try then call your therapist.
-Darren Ratner

TEE-M
MAN WITHOUT A COUNTRY
SELF-RELEASED
This single from Pakistani expatriate Tee-M (Tariq Mirza) is the true chronicle of a man who has been stranded at the Paris airport for 15 years. Currently, Tom Hanks and Steven Spielberg are working on a movie, TERMINAL, about Merham Nasseri, the man at the airport. Tee-M's Pakistani upbringing is evident in the lyrics with lines like "Some days are like hell, like playing on a sticky wicket." Only a cricket fan would toss in a reference like that. The song is nice, acoustic-based, first-person ballad that tells of the daily life at the Charles De Gaulle airport. Hopefully, Spielberg will get a copy of the tune and toss Tee-M a few bucks for rights. Currently, Tee-M is a popular act in the Los Angeles club scene (where fans can obtain a free copy of the disc from the artist himself).
website
-DUG

THE BAD APPLES
NEVER TASTED SO GOOD
SHE SELLS RECORDS
These girls could really go places. Singer Sarah B. is a bratty chick with her sex on a platter next to her tongue-in-cheek angst. The songs on NEVER TASTED SO GOOD are loose but loaded to the roof with "go for it" attitude. I dig the songs "Rock Star", "Phone Sex", and "Shitty People". Haling from Austin, TX, The Bad Apples rock it cool and raw.
-H. Barry Zimmerman

THE CASUALTIES
ON THE FRONT LINE
SIDEONEDUMMY
What can I say? I'm guilty of it! Years back, I went through a stage of music that screamed "street punk." This, of course, included the crusty street gods themselves, The Casualties. Luckily, that was only a phase. Now the only bands remotely close that I'll give respect to are Defiance, Clit 45, The Unseen, and a handful of others. Why? Because they have talent. I am impressed, though. The Casualties latest release is a musical revolution (for them)! It's more complex, creating a new musical sound. While that's true, the vocals still screech the same gibberish as on previous albums. For a group of guys that spend more time on their hair than I do and wear more expensive clothes than all of my friends combined, they should step off of the political ladder and focus on another subject. Until then, they are just another pseudo-political punk band. Oi! website
-Courtney Riot

THE GRAVEYARD BOULEVARD
TOE TAGS & BODY BAGS
ANTIDOTE RECORDS
This record makes me want to kill myself. Somewhere between Slipknot and EVIL DEAD, the band tries to pull off a very Gothic/vampire type of look. The CD layout is generic, and the band's attempt to look Gothic/hardcore comes off as ridiculous. If music was about image, then this band would be the music equivalent of a Kevin Costner film. To reinforce the horrible choice in image, the band's music lives up to the expectations. Somewhere between medium-tempo glam rock and really bad punk, there is nothing on this album that is worth a damn. Maybe the band should live up to its own prophecy and commit mass suicide.
-ADF

THE GO
SELF-TITLED
LIZARD KING RECORDINGS
Rock 'n' roll is seeping out of the pours of The Go. Electric guitar and driving percussion are reminiscent of '60s and early '70s rock. The Go have stepped apart from the plethora of "The" bands and transcended past the confines of cookie-cutter garage rock. The refreshing sound of true rock 'n' roll should make even the money-hungry corporate rock bands want to get back in the van and find the true meaning of rock 'n' roll. THE GO breathes life into a fluttering rock scene and is a strong move in the right direction for music. This album has lived up to the Lizard King name and would definitely make Jim Morrison proud.
-Kevin Conway

THE JUNIOR VARSITY
THE GREAT COMPROMISE
BRITISH RECORDS
Eh. The Junior Varsity don't differentiate themselves that much from the hoards of pop-punk/emo acts out there. Sure, they put loads of passion and heart into each offeringóbut don't they all? This Chicago-based five-piece are reminiscent of bands like Spitalfield, Armor for Sleep, The Goodwill, and The Snake the Cross the Crown, as their debut full-length is dominated by emotive vocals and intertwining guitar work atop a steady rhythm section. Basically, they're good at what they do, but this genre is super saturated already, and it takes a lot to stand out from the pack...and with THE GREAT COMPROMISE, The Junior Varsity just haven't raised the bar.
-Janelle Jones

THE KIDS OF WIDNEY HIGH
ACT YOUR AGE
MOON MAN RECORDS
The third full-length release from Michael Monagan's special-education students is an exuberant and unapologetic blast of life. With volunteer musicians backing the student-written songs, the listener is treated to a perspective of life most often swept under the rug. The poignant "Miss Understood" tells the story of life spent in a wheelchair, the cruel looks and callous disregard that seem to permeate society. Other songs touch on subjects rarely considered by mainstream musicians such as "Life Without the Cow", "Santa's in a Wheelchair", and "Two Faces of Fidel". The boisterous "short bus" chorus that powers these songs can't help but make you smile and just feel glad to be alive. I knew starting out that in writing a review of this CD I would end up in Dante's seventh circle of hell if I gave it a scathing write-up, but I've no worries, because I ended up liking it a lot. The human spirit can't be crushed, and The Kids of Widney High prove that society has a lot to learn from those it would rather not acknowledge. website
-DUG

THE L-10 PROJECT
LIVE @ THE CROOKED BAR
SELF-RELEASED
Have you ever sat around with buddies for hours on end with acoustic guitar in hand putting your jokes to song? Almost everyone has been there, and last March two punks did just that and recorded it for the world to hear. The L-10 Project is comprised of Barry ("The Bear"), who sings offbeat compositions about ostrich hotdogs and penguins taking over the world; and Mike (Mistah Slutz), who plays acoustic guitar. Don't let the acoustics and their emo name fool you: this album is full of laughs fueled by strange subject matter and awkward silences, and it's sure to make anyone with a sense of humor laugh. You can pick up your own copy of this crazed performance at website
-Breanne Dunn

THE LITTLE KILLERS
THE LITTLE KILLERS
CRYPT RECORDS
Crypt Records breaks a releasing hiatus of over five years to put out this furious band in the sonic tradition of New York Dolls. The rhythm section of this trio (Kari (drums) and Sara (bass)) actually belongs to the gender most known for lipstick. Vocalist/guitarist Andy has a delivery reminiscent of David Johansen that really makes the New York Dolls comparison, especially on tracks like the Mae West invitation "Come On Up". Listening to the group do this Rascals cover makes one think New York Dolls should have seen the fit and covered it themselves. The rest of the tracks are originals from this New York band and follow in a great NYC rock 'n' roll tradition.
-Tom "Tearaway" Schulte

THE LIVING END
MODERN ARTILLERY
REPRISE
MODERN ARTILLERY, The Living End's follow-up to ROLL ON, is an ambitious, creative endeavor. To wit, these Australian stalwarts of the scene sprinkle the record with numerous styles, from the expected punk leanings found on opener "What Would You Do?" to some great rockabilly-saturated tunes like "End of the World" and the rowdy, unsurpassable "Hold Up"; poppy, upbeat numbers, such as the good-time "Short Notice" with its '50s rock 'n' roll feel and the staccato-guitar infused "Jimmy"; more subdued fare, like "Maitland Street", the mellow "Putting You Down", and the rather sedate (at times) "The Room" (which even features some ska beats in there (clocking in at an epic-like eight minutes. It's quite a powerful closer); and even a country-drenched ditty, "So What", proving that, for this hard-rocking trio, nothing's off-limits.
-Janelle Jones

THE MINDS
PLASTIC GIRLS
DIRT NAP RECORDS
The Minds have merged synth new wave and punk with ease. PLASTIC GIRLS is a great, fun, rocking disc. The Minds line-up goes like this: Mikey Mind, Cera Bella Palsy, The Thinker, The Cortex, and Bobby Brains. I think that says it all. The Minds got balls to go all the way with that concept. Some of the standout tunes include "Forbidden Friend", "Smash Smash Smash!", and "Don't Touch". PLASTIC GIRLS is inventive, entertaining, and raw on the edges. Go get it.
-H. Barry Zimmerman

THE REDEMPTION SONG
PLAYS DEAD IN STEREO
FUTURE DESTINATION
The Redemption Song is, without a doubt, one of the best of the recent hardcore bands! PLAYS DEAD IN STEREO is a brilliant full-length debut, featuring 10 hardcore, destructive punk anthems. With grueling tracks such as "After Years of Dreaming", "Open Your Eyes", "Summer of Love", and "MIA", you can feel the blood, sweat, rage, and passion that flow throughout the entire CD. It's a collection of fierce sing-alongs from beginning to end! Although it's said The Redemption Song draw influences from bands like Refused and AFI, that does not come close to giving these boys justice! They are on their own level, setting their own rules, and bringing the hardcore and punk world together in a new way. PLAYS DEAD IN STEREO is a CD the punk kids will be calling punk, the hardcore kids will be calling hardcore, and that will corrupt anyone and anything in between. website
-Courtney Riot

THE SPACEWURM
SEE YOU LATER OSCILLATOR
GRAVITY RECORDS
The basic music of The Spacew¸rm is semi-minimalistic cold wave with stereo panning. By itself, it is creepy and moody...but perhaps not highly interesting. However, this is just the frame for typified or actual phone recordings that make the pieces compelling pieces of raw, guerrilla social anthropology. For instance, "This Person Is a Man" is an audio collage of male sexual want ads accessed through a phone system. "Guilt and Money and Money and Love" takes its title from a moment of lucid analysis by a woman scorned in a conversation with her estranged lover as they try to untangle their lives. Another standout is "Mack". Is the jet-setting comedian a player or Mr. Right?
-Tom "Tearaway" Schulte

THE STREET WALKIN' CHEETAHS
GAINESVILLE
TRIPLE X RECORDS
GAINESVILLE is a rock 'n' roll storybook about the road and the dramas, traumas, and emotional danger of being a band in a cyclic adventure. GAINESVILLE is a great rock discóa near masterwork. The songs vary from acoustic classic rockers to turbo syncopated punk. Hollywood's The Street Walkin' Cheetahs document a dark reality and do it without sounding self-pitying or pertinacious. What the band has done is put together an excellent collection of songsóand that's what an album is, after all. GAINESVILLE is rock done with emotion and balls.
-H. Barry Zimmerman

THE THRILLS
SO MUCH FOR THE CITY
VIRGIN
When I first caught a snippet of this CD, I was about ready to toss it, just assuming it was another dorky Brady Bunch cover band. With "ooh wah" choruses and psychedelic Beach Boys vocals, I had to give it a minute before it hit me: this is a great CD. With relaxed lyrics and mellow instrumentals, SO MUCH FOR THE CITY is a perfect choice for that roadtrip along PCH in the middle of summer. While The Thrills won't likely thrill any hardcore fans, their first full-length album is soon to be a beach-bum necessity.
-Carley Charpentier

THE VINDICTIVES
ORIGINAL MASTERS (1990-1992)
TEAT PRODUCTIONS
Featuring Joey Vindictive on vocals and Ben Weasel on rhythm axe and backing vocals, ORIGINAL MASTERS (1990-1992) is a collection of 7" EP records that have never appeared on disc until now. The songs are good, solid pop-punk without sounding clichÈd or typical. Mostly under three minutes long, the songs are catchy and contain great fun attitude and cool as hell guitar hooks from Dr. Bob. Also, Joey Vindictive's voice is raw, strong-lunged, bratty, caustic, and just plain rocking. This disc is cool and worth every dime you'll pay. Go get it.
-H. Barry Zimmerman

THE ZIGGENS
GREATEST ZITS
CORNERSTONE RECORDING ARTS SOCIETY
After 15 years of country rehash, sleazy surf tunes, Trini Lopez
inspirations, and marching-band sensibilities, one of the most creative and insane bands of our time has released a greatest-hits compilation for their fans. This two-disc set is packed with fan favorites such as it Took My Mom to the Prom, Pistol Petie, and Big Salty Tears, along with 12 other hits on one disc; and then a complete 14-song disc of surf classics. Two of the surf tunes, ìSurfiní Buena Parkî and ìOn & Onî, are new and previously-unreleased. The Ziggens truly are one of-if not THE-funniest bands ever. This album is a great gift for any drugged-out surfer friends you might have-or maybe even just anyone with a sense of humor. Be sure to log on to their highly entertaining fan site at website to
find out the history of this quirky outfit. You can even obtain the
exclusive and collectible The Ziggensí limited edition paper dolls (if you have a printer and a pair of scissors).
-DUG

THE BACKUP PLAN
DEAREST WHOMEVER
NEW DAY RISING
First thing that deserves recognition is the stellar lyrics. Lines like "If love is war, then we're all casualties" were hidden amongst the hardcore screams and pounding drum beats, but were nevertheless important. The Backup Plan takes melodic hardcore punk to a new level and rock through an incredible 12-track trip. Songs like "Looks Like I'm Back on Suicide Watch" scream through emotions and realistic break-ups. DEAREST WHOMEVER is a perfect example of guys spilling out their guts while using their meanest and scariest voice to play the tough guy. The moral of the story: the guys in The Backup Plan are tender, but boy, can they rock.
-Carley Charpentier

THE CAN UTILITY
POWER 0.42
POP FACTION RECORDS
On the band's first EP, POWER 0.42, Richmond, VA's The Can Utility boasts an energy that seems to dip and dive. Fronted by guitarist/vocalist Billy Davis (who provides some of the growls) and Noelle Schintzius (who keeps a pace of lighter vocals), the group moves back and forth from vigorous rhythms to slightly slower ones. It's the same way throughout the record, never deviating from that norm.
-Darren Ratner

THE MONOLITH
HERE COMES THE MONOLITH
FORTUNE RECORDS
Reminiscent of The Beatles and Elliot Smith, The Monolith is an indie-rock band with some typical indie-rock characteristics...and some not. Dreamy vocals permeate all nine tracks of HERE COMES THE MONOLITH, creating vocal harmonies that will stick in your head for a long time. But the bread and butter for The Monolith is their emphasis on straightforward pop melodies and hooks, while incorporating a wide variety of instruments (the repertoire consisting of acoustic guitars, electric piano, keyboard, cello, viola, violin, trumpet, flugelhorn, and trombone). All these instruments generate a full, flowing sound that leaves you with a relaxing, carefree feeling. Overall, this album is upbeat, imaginative, and of great sound quality.
-Anthony

THE MOVIES
IN ONE ERA OUT THE OTHER
GERN BLANDSTEN
A nine-bedroom home outside of Boston is the site where the first breaths of The Movies' life as a band were taken. As the story goes, house rules stipulated "No practice after 11 p.m.!" although the busy lives of the band's members prevented them from playing anytime before the house's audio cutoff point. As a result, they refer to themselves as "the softest punk band in the world," which isn't entirely inaccurate. Their music is better described, however, as composed and steady, flowing with slow-strumming guitars and the British-inspired voiceovers of vocalist Timothy James. His monotone voice, which croons over the band's gentile keys and modest percussion, is reminiscent of The Cure and Joy Division. IN ONE ERA OUT THE OTHER is ardently recommended for connoisseurs of the softer side of the Brit-pop spectrum. Put on your finest robe, light up a pipe, and enjoy.
-Dave Kargol

THE REASON
THE PROBLEMS ASSOCIATED WITH RUNNING
LONELY TREE RECORDS
Formerly known as Sewing with Nancie, members of The Reason haven't completely abandoned their pop-punk roots but definitely have emphasized a more overall punk sound, along with adding elements of hardcore, as well. THE PROBLEMS ASSOCIATED WITH RUNNING offers six songs changing between fast and energetic punk sections, poppy sing-along choruses, and thick, heavy breakdowns. Surprisingly, they pull of this fusion of genres very well, always keeping a tight and balanced sound and never sounding dull. Along with the lead vocals, screaming is incorporated in various songs, adding to the overall intensity. Add interesting lyrics to the mix and it quickly becomes apparent this band is for real, and comparisons made to Thrice, Good Riddance, and The Used don't seem so far-fetched at all.
-Anthony

THE STRETCH MARXXX
HIGH HEELS AND A HANGOVER
SELF-RELEASED
This Kansas City trio is a new-wave/glam-punk nightmare somewhat akin to (at times) Babes in Toyland. I must admit that I've got a soft spot for chicks with guitars (it's not just me, right?). The Stretch Marxxx surpassed my initial expectations. The group features Brian Lynn on drums, and Camila Medula Oblongata and Venus A.M. Goldstarr tag team the lead vocals to perfection. With dual harmonies, these girls can sound like sex kittens and riot grrls in the same verse (apparent on "Motorcycle"). Sounding ever so coyly and bratty, The Stretch Marxxx belt out catchy riffs and lyrics like "get down on your knees and start to lick." Amen. thestretchmarxxx.com" target="_blank">website
-Jude Ruiz

THE VAGIANTS
SHORT AND HARD
SIN KLUB ENTERTAINMENT
The VaGiants deliver nine songs of badly-recorded garage rock with more genitalia references than the boys' bathroom at a middle school. The singer alternates between wailing annoyingly and attempting to sound sultry...and isn't pulling any of it off. She's sultry like the woman at the end of the bar in the bad part of town who's been drinking since last Tuesday. The musicianship is sloppy. The songs can be called rock 'n' roll, but only in its most basic form and devoid of any creativity or style. Parts of this CD remind me of Tia Carrere's band from WAYNE'S WORLD, so at least The VaGiants have humor working in their favor (though I don't think it was intentional). This should go over real well with fans of Miller High Life beer and fart jokes.
-Casey Clague

THE VINDICTIVES
CURIOUS ODDITIES AND THE BARE ESSENTIALS
TEAT PRODUCTIONS
The Vindictives have been come together with Teat Productions to re-release tracks that are out of print and only on vinyl on this compilation album of past work. The garage-punk rock leaves nothing for the imagination. The recording and sound is that of a punk-rock band that doesn't give a shit about what anyone thinks. This album is accompanied by driving bass lines, fast drums, some rock 'n' roll guitar, and high-pitched, scratchy, vocals. This album is a soundtrack for punk-rock house parties and doing the pogo. True punk rock in its original form is packed into this compilation that breathes a breath of much-needed fresh air into the punk-rock scene. House parties will be thankful.
-Kevin Conway

THE VINDICTIVES
MUSAK FOR ROBOTS
TEAT RECORDS
The back of this disc says it all: "This album consists of 21 songs, 61 minutes of instrumental music. No guitars, acoustic instruments or vocals were used in the making of this album. This is 100% non-organic." MUSAK FOR ROBOTS is indeed just that, though I've found that this also makes adequate listening for humans, as well. This Kraftwerk-esque album is not something you would listen to at a club or in the car (in other words, nothing you would want to give your undivided attention to), though this could provide some background noise while you do some homework...or, say, write a CD review! At times, MUSAK FOR ROBOTS is a little sparse (though not pretentious). Come to think of it, couldn't I make this kind of racket with my Moog and my Casio? thevindictives.com" target="_blank">website
-Jude Ruiz

TIMBER!
CIRCLE THE WAGONS!
REASON Y RECORDS
A lot can happen in three songs. This Big Apple trio drives this point far beyond home with this short-but-sweet specimen of pioneering instrumentalism done right. Their side-door approach to math-rock favors patient yet twisted progression in lieu of spastic insanity ("Circle The Wagons!" sounds how Hella might if slowed down to 33 RPM). Here, cymbal crashes and snare snaps rise and fall in waves, teaming up with convoluted arpeggios to intone a chorus of asymmetrical excellence. The bandís bio is not far off the mark, describing their calculated and sharply executed music as ìmelodic algebraic rock.î Timber! falls somewhere between the innovation and precision of The Cancer Conspiracy and the detuned suave of Shiner. However, if the gods are truly good, Timber! will stick around quite a bit longer than their doomed contemporaries.
- Dave Kargol

TOXIC NARCOTIC
SHOOT PEOPLE NOT DOPE
RODENT POPSICLE
Toxic Narcotic. What can be said? These crusty hardcore punk kings demolish all with this little five-song gem, a nice follow-up to 2002's devastating WE'RE ALL DOOMED and a welcome offering to placate our TN fix till they put out their next full-length. Packed with enough harsh, abrasive music and blatantly honest and ugly lyrics to bring the uninitiated to tears, SHOOT PEOPLE NOT DOPE(released on the band's own label(is a bludgeoning, mind-blowing record doused in blistering guitars, gruff, primal vocals, and sick double-bass drums. The real anomaly of the EP, the finale, a remix of "Cockroach", sees TN alternating between mellow reggae beats and sick, super fast and chaotic hardcore punk as they warn of the pending third world war and, ultimately, the end of the human race. Buy this record (and for a delightfully harrowing experience, see these guys live).
-Janelle Jones

TRYST
KIDS OF BIG STARS
MH RECORDS
No matter how hard I tried, I just couldn't get into KID OF BIG STARS. It starts off way too slowly and low key. By the time I got to "Jayne Wright", which is one of the better tracks on the album, I wanted to turn it off. This brand of sentimental and light-hearted and sounding pop music is something your parents would probably enjoy a lot more than you would. Sure, it may be witty and well-crafted, but Tryst's KIDS OF BIG STARS doesn't pack any punch at all. These are songs that belong on a light rock station.
-Dane Jackson

UNSANE
LAMBHOUSE
RELAPSE
Mighty underground noise-rockers Unsane's (think Helmet, Sonic Youth) unusually stoic and unsettling musical career has been documented in LAMBHOUSE, a CD and DVD retrospective. Brace yourself for the trio's eclectic usage of low bass rumblings, jagged guitar riffs, and overall musical chaos, as this kind of primal potency can't be found on anything you're used to today. 24 tracks in all (not counting what's on the DVD) will leave you bruised, strung out, and exhausted (in that order), as this collection successfully documents and provides a soundtrack for the hopeless and helpless feelings every human goes through at one time or another. website
-Mike SOS

UTAH!
PLAYS WELL WITH OTHERS
BIFOCAL MEDIA
Knowing this band has performed with the likes of the Murder City Devils, Promise Ring, The Mercury Program, and Guided by Voices will give one a pretty good idea of their collective soundóalthough it can't really be pinpointed until having heard PLAYS WELL WITH OTHERS. Utah! is a mixture of restrained but tight guitar, drums, and cello, with some interesting rock 'n' roll vocals thrown in. It may seem as if this would sound somewhat thrown together, but it works, and it works well. "New Porch" is a prime example where all four elements of the band blend into a very intriguing track. This is merely a cross-section of the record, as it is filled with these kinds of interesting harmonies, cello runs, and guitar subtleties. The band knows what the hell they're doing, which is good, considering the original direction they have taken.
-AC Lerok

VARIOUS ARTISTS
AGAINST POLICE INJUSTICE
NON-COMMERCIAL RECORDS
This 25-band comp disc (which includes such bad-ass punk and cool rock bands as Against Me!, MDC, F-Minus, and World/Inferno Friendship Society) is aimed at raising money for a decent defense team for Ahmad Nelson. Mr. Nelson is accused of killing an off-duty police officer, but the facts seem to be pocketed in pursuit of a conviction. Support justice in America and get a rocking-as-hell disc. Do what you can to make this country live up to the promise of equality and justice for all.
-H. Barry Zimmerman

VARIOUS ARTISTS
THE ROCKY HORROR PUNK ROCK SHOW
SPRINGMAN RECORDS
If you have a strange fascination with men who dress like women, then this is the album for you. If you like Groovie Ghoulies, The Ataris, or Swingin Utters then this is the album for you. I, for one, cringe at the thought of having to watch THE ROCKY HORROR PICTURE SHOW. The idea of having to listen to an entire album based on the movie made me reach for the Prozac out of the medicine cabinet. Before I committed myself to death, I thought I should at least give the album a try. I tried, and obviously I am still here, so it wasn't that bad. I dig a bunch of the bands on this album, so it was interesting to hear their take on the old soundtrack. You should probably check this album out before you buy it. Go to their Website at website
-Ian Wilkins 420

VOLCANO, I'M STILL EXCITED!!
SELF-TITLED
POLYVINYL RECORDS
Here we have 16 inventive and pop-fueled tracks of indie rock. Inspired by acts like Elvis Costello and Death Cab for Cutie, the trio behind VOLCANO, I'M STILL EXCITED!! have truly captured an original sound without sacrificing any catchinessóa feat not every band can accomplish. Their weapons of choice are simple: a keyboard, guitar, and double-bass drum. You aren't going to hear extremely complex song structure, powerful guitar, or intricate drum work here, but you will get serene vocals, pleasant harmonies, and something to shake your money-maker to! Oh, and let me not forget to mention their excellent musicianship, with all three members playing together very well. There is no reason why this debut album will not put these guys in the forefront of the indie-rock scene.
-Anthony

VICTIMZ OF SOCIETY
VICTIMZ OF SOCIETY
TEAT
Remember seeing the cool punk band in the high-school gym when you were 16 the day you snuck your first swig of beer from some skank's 40-oz. bottle? Well, Victimz of Society is that band, and while much of the album's content (including the gross-out skits) is as nostalgic and irrelevant as much of your high-school stint, it does have some merit for provoking that ever-nagging spirit to pogo around the room every now and again, such as with the fantastically-titled "Miss America Sucks". It's music to satisfy the need to laugh and dance like you're 16 again.
-Mike SOS

WHISKEY & CO.
WHISKEY & CO.
NO IDEA RECORDS
This is some foot-stomping shit. Whiskey & Co. should be touring with The Reverend Horton Heat, for sure. Sit back in your most comfy chair, grab three fingers of some good old Jack Daniel's, and light your pipe, as it is definitely time to mellow when you put this CD on. It's got a groove that reminds me of Johnny Cash. The self-titled CD covers all the basics: a love lost, drug addiction, and (of course) the need for some type of escape we all feel at one time or another. In their bio, it reads: "Recommended for folks who have a hankering for: Not getting nails hammered into their heads and Getting nails hammered into their heads." So if you fall into either one of those categories, go to website.
-Ian Wilkins

WOLVERINE
COLD LIGHT OF MONDAY
EARACHE
It takes until about midway through the second track "Sarah" for the full band to kick in, and even then there's still an uneasy feeling given off by six-piece outfit Wolverine. While COLD LIGHT OF MONDAY won't overpower you with muscular music, the ambiance of tracks like "The Final Redemption" and "Red Canvas"óakin to works of Opeth with a more familiar feelóshould hold you in long enough to feel the weight of the world squarely fall on your shoulders. Even though this album is as much fun to listen to as going to a wake (complete with organ, at times), it does its job by putting a little bit of despair back in your heart. website
-Mike SOS

WORDBUG
LOSING IT ALL
BOSS TUNEAGE RECORDS
Another compilation of tracks I canít help but call mediocre. This 20-track album includes the bandís LP, singles, and unreleased music off of the second Wordbug album (which to this day has yet to be released). I can't say hat I am disappointed, though. I do find the band tolerable and much more pleasant than many others I have heard, but they are missing a certain lure-uniqueness, perhaps-to rush me to pop the album back into my CD player.
-Donna Delshad

WORDS AWAY
THESE PAST WEEKS
BOSS TUNEAGE
Words Away is a three-piece, fast-paced punk band with no frills but the music itself. Driving guitars, pounding bass lines, and speedy percussion mixed with a bit of Hot Water Music are what youíll find on this album. The vocals seem hidden on many of the tracks, mixed too far beneath the instruments, so that it almost feels as if there is a lack of confidence in the vocals on many of the tracks. Boss Tuneage has produced another promising melodic pop/rock band. This album is mediocre, yet the band has much promise. Words Away could be one release away from a great album.
-Kevin Conway

WORN THIN
REMNANTS OF WHAT COULD HAVE BEEN
YOUNGBLOOD
Compiling two of their previous 7's and two unreleased tracks (including a over of Minor Threat's Little Friend), as well as a CD-ROM video for here's the door, this electrifying full-length showcases Worn Thin's enthralling, aggressive brand of DC hardcore perfectly. Drenched in full-on speed, crunchy guitars, plenty of shout-alongs, a formidable rhythm section,and impassioned vocals spouting out personal lyrics, this is a must-have for any self-respecting fan of high quality hardcore.
-Janelle Jones

YEAR FUTURE
YEAR FUTURE
GOLD STANDARD LABS
As time goes on and all conceivable sub-genres swell with product, it seems that the bar is both continually raised and obscured, and that the ability to create unique music perpetually becomes more and more tricky. Year Future don't appear to mind the challenge. Their electrified rendition of jittery noise-pop screams FIRE from some shadowy and overlooked corner of the contemporary sound catalog, asking for attention in the way that rioters ask for TV sets. Their songs are slick with a semi-traumatizing sense of urgency that leaves the unsuspecting listener scrambling to decide whether or not to
start a pit, bust a move, or run like bloody hell. On this self-titled EP,
gritty shouts mingle with garbled guitars and keyboards while beats thump steadily, seemingly oblivious to the pandemonium theyíre propelling. This gloom-pop venture into punk experimentalism will crack you like a chocolate-covered brick.
-Dave Kargol

ZAO
LEGENDARY
SOLID STATE
Zao is that band that did it all way before the people you thought did it first, although the ever-changing band lineup, coupled with other woeful music industry tales, kept the outfit away from the recognition it deserved. LEGENDARY is a collection that documents all the trials and tribulations of this revolutionary metalcore band, highlighting an eight-year span of relentless touring, gut-wrenching records, and untested loyalty to its vision of putting out uncompromisingly brutal yet always advanced work. If you're not sure who this band is and what they've done to merit calling a greatest hits (of sorts) collection, then strap on your headphones and listen to the savagery of such tracks as "Ravage Ritual" and "The Race of Standing Still". Then, check your pulse and you'll know why everyone from Deftones to Avenged Sevenfold owes this band a thing or two. website
-Mike SOS

ZEBRAHEAD
MFZB
EGG/COLUMBIA/RED INK
So it turns out Goldfinger (minus the ska), Blink-182 (the early years), and that rapper guy from Linkin Park all donated sperm into the same cup. A surrogate mother was chosen, and nine months later Zebrahead was born (in '96). They released PLAYMATE OF THE YEAR in '00, which was their breakthrough record. In the three years between the two records, they wrote and recorded 90 songs, then picked their favorite 15 for MFZB, an album named after their fan club. The songs are basic, ear-friendly, and ready to be stuck young teenagers' heads for weeks at a time. Fans of the prepackaged, Good Charlotte type of music (but with an "urban" edge) will eat this up.
-Joe Wilson

ZENO TORNADO AND THE BONEY GOOGLE BROTHERS
DIRTY DOPE INFECTED BLUE GRASS HILLBILLY HOBO XXX COUNTRY MUSIC
VOODOO RHYTHM
" Before I was sick I was drunk / Before I was drunk I was high / Before I was high I was stoned / Before I was stoned I was 12 years old," sings the Swiss-born Zeno Tornado on this album's first cut of boot-stomping twang (simply entitled "High"). After one glance at the album's title and cover art (which bears the likes of a syringe, smoking gun, naked woman, and many a scattered pill), one should realize that its opening words are perfectly par for the course. Here, Zeno and the Boney Google Brothers set down the cornbread long enough to tap out 14 smoking bluegrass anthems about almost every vice imaginable. Each aspect of this dirty square dance is, however, completely solid, the musicianship is flawless, and the spirit is irrefutably fun. Just keep it locked away until the kids are asleep.
-Dave Kargol