Interviews



Interview by Tomas Espri

paper chase

    Congeleton—guitar, everything / Dalton—drums / Weaver—bass / Armstrong—piano, samplers.

   First things first. Put down your everyday, genric punk-rock CD and grab a hold of something new, I say! I command you. Okay, with that said, a band called The Paper Chase touched my little heart and jangled up my nerves. Its experimental indie rock breathes a new kind of fresh air down my spine. HIDE THE KITCHEN KNIVES is the new release, which the band swears is "not drug-influenced." When it comes to time in the studio, vocalist John Congleton likes to let "the song become its own beast in the studio." This he does well, and his creation is awe-inspiring. Hailing from the humid parts of Texas, The Paper Chase now has three releases under its collective belt. Congelton fills us in on recording; bands that inspire him; working in the music industry; and a bad dream that, frankly, made me shit in my pants.

SKRATCH: Firstly, are you insane? HIDE THE KITCHEN KNIVES is one cwazy rekid, my friend.
CONGLETON: I don't think I'm insane. I don't really find the record to be that crazy, to be honest; but everyone says it is.

SKRATCH: When listening to The Paper Chase, it's almost as if Beck and 12 indie bands got in a wrestling match and ate pizza with extra mushrooms (get it: mushrooms? nudge nudge, wink wink) while being pushed by the devil on a swingset. So, what do you say? Your thoughts please.
CONGLETON: If you are suggesting that The Paper Chase is drug-influenced, I would disagree. Reality is much more frustrating than drug use. We use drugs to forget about the things that ail us...Maybe that's my problem! I like the whole "devil on a swingset" thing you said, though. I like thinking my music has ways of creating pictures in peoples minds.

SKRATCH: Tell me what "i did a terrible thing" is all about and please elaborate on this lyric: "Last night I took my sharpest blade / And I cut my tent another five-inch slit."
CONGLETON: I really don't like to talk in specifics about such things because I think the stories behinds songs are never as cool as what your imagination can [conjure]. But I will say that the song is supposed to be an introduction to the album (which I think is obvious). I came up with the lyrics after I had a horrific dream that I was on a camping trip in the woods with everyone I ever knew well in my life. Once they were all asleep, I set the forest on fire and escaped through the slit in my tent. That dream still kind of haunts me. I wonder what that means.... Regardless, it seemed to introduce the album well.

SKRATCH: How long did it take to record this new record?
CONGLETON: Not too long. Main recording and mixing were done sprinkled throughout January of 2002.

SKRATCH: What kind of experimentation took place in the studio?
CONGLETON: Really none. I usually have a direct idea of what I want things to sound like. However, I am a firm believer in letting the song become its own beast in the studio.

SKRATCH: Some effects and parts seem impromptu. Is this true?
CONGLETON: Not on "Knives". On "Young Bodies", yes.

SKRATCH: HIDE THE KITCHEN KNIVES blows me away. I believe fans who like bands such as Beck, Modest Mouse, Death Cab for Cutie, The Miss, Sweep the Leg Johnny, Sonic Youth, and Built To Spill could really salivate listening to this record. Are you a fan of any of these bands? What do you listen to personally?
CONGLETON: Well, we are good friends with Sweep the Leg Johnny, and we all love them. I have a couple Beck albums, and I like 'em. DAYDREAM NATION by Sonic Youth was one I listened to many times in my Congleton youth. For some reason we really haven't been full-on embraced by that subculture, but I bear no ill feeling about that. We have our space, we fill it. I really like a lot of modern classical and singer/songwriter stuff, personally. But all the bands you listed are great bands, I think.

SKRATCH: In your opinion, what differences are apparent between your debut, YOUNG BODIES HEAL QUICKLY, and HIDE THE KITCHEN KNIVES?
CONGLETON: KNIVES is smarter I think. Granted, YOUNG BODIES does have more piss and vinegar to it. I think KNIVES has much better performances and songwriting.

SKRATCH: What main feeling(s) and mood did you want to douse the listener with when writing your songs on this current release? Some relationships go awry?
CONGLETON: Man, I really don't think I have a message. I just want to connect, you know?

SKRATCH: How does The Paper Chase help you in your personal life? Do you find it cathartic? If so, how?
CONGLETON: Absolutely. If I can't write or am having a block, I go crazy; I can't stand it.

SKRATCH: What inspires you?
CONGLETON: Truly? Other artists or just people with life in their body. And on the other hand people with little life in their body. That's why I work in the music industry in my off time. I love being around people like that.

SKRATCH: What do you find self-defeating?
CONGLETON: Not looking for your own voice. Not letting the world know you were here.

SKRATCH: How has independent music affected you? Is it your life?
CONGLETON: No. My sympathies lie in independent music, but it does not affect what I listen to. As a matter of fact, there are just as many scum fucks in indie music as anywhere else. They are just deluded [diluted?].

SKRATCH: What do you enjoy doing in your spare time?
CONGLETON: I love movies; I'm a huge movie fan. And I love writing music, I just do.

SKRATCH: What do you have to look forward to in the final half of 2002?
CONGLETON: Well, we have finally broken over in Europe, which is something to mark off the "to do before I die" list. You know, I know so many bands that have gone overseas and felt nothing about that...I cant believe that! America is [such a] culture void, I sometimes feel like I'm drowning here.

SKRATCH: And what do you have to say for yourself?
CONGLETON: No comment.

SKRATCH: I love the new record! Any touring plans? Please plug away. Thanks so much.
CONGLETON: Thank you so much! We are touring our asses off. Come see us. Dates are listed on www.thepaperchaseband.com. Wonderful interview. Thank you for your time.

» BACK TO TOP

 

 

return to interview main page

Interview Archives

Exile Of Silence

Milo's Favorite Star

MayOrWest

Xurume

Oakred

Pretty Face 4 Radio

Rejtely

Remnants of Man

San Deviants

Shattered Pain

Skull Valley Scavengers

Subculture Stereo

Supersonic

These Arms Alone

The Splints

This Caustic Autumn

kMw

Behold, the Burning Sky

Chuck Kiss

Courage of a Pawn

The D.A.

Deep Samadhi

Dryver

Fall and Bounce

Diaries of a Hero

Bawerhur

86 After

Piss N’ Blood

The Taste Of Irony

The Perverted Staggs

The Mess

Synarchy

Reckles

Point Out

One Day Left

Our New Earth

Television City

Thrasys

Mother's Green

Michael Louis Vinci

Macrophobia

Kingdom Fall

In Crimson Colors

Fragmentic

Digression

Creepy Little Unholy Bastards

Beyond Belief

Never Settle for Less

The Deadlyz

The Upcollar$

Worst Case Scenario

Yes Helicopter

The Romantic Era

The Rare

Omega Moo

The Laundromat

Reaching Empyrean

Hexen

Chronic Remorse

Chris Tagaban

Toromos

Simensis

The Spurts!

Jungle Juice

Chatham

Life In Black And White

Michael Louis Vinci

Moirai Band

Down on Morale

Sweet Interference

Molly Mae Black

MVCP

Moment of Zen

Bears of Winter

ZS Concept

The Wrecktals

Punish Fort

Parade Route

Noons

Nikson

Mutual Cry

Me Monster

Margate

Kyoko

Housman’s Athletes

Abuzed-1

Whiskey Romance

Ungdlienken

Their Teeth Will Be Of Lions

Sunset of the Sabertooth

Street Dogs

Static Thought

Social Jetlag

Misery Signals

Sirvenamar

Of the Dying Sun

None More Black

No Exit Wound

+New Empire+

The Mayfairs

Dog Faced Gods

Disasters of Hollywood

Chase Long Beach

Canobliss

Born Again Rebels

Away with Words

Alevela

The Muggies

The Dear & Departed

Punish Them

Melee

Lamb of God

The Knife Confession

Killswitch Engage

The Briggs

Hold for Swank

Endorphin Rush

Die So Fluid

DevilDriver

Coheed and Cambria

Black Square

Bayside

Avidamore

Altered Paradigm

The A.K.A.s

A Human And His STDs

A Dark December

We the Kings

The Color Fred

The New Story

Roger of Suicide Records/ BrokenSoul

Serena Ryder

Monkeys To Go

Matt Pond PA

Machine Head

Limbeck

K.I.L

Farewell

Kent Savage - CEO of FameCast

The Donnas

Dear And The Headlights

The Architects

A Cursive Memory

4Get Me Nots

Zolof The Rock & Roll Destroyer

The Spill Canvas

So They Say

Mindless Self Indulgence

Eastern Conference Champions

Idiot Pilot

Electric Six

Trike

Silverchair

EFXR

Alabama Thunderpussy

Impending Doom

Polysics

Holy Fuck

Circa Survive

Envy On The Coast

Parkway Drive

Paper Rival

Non Prophet

Shithead

The Royal Tees

Sacrificial Slaughter

Scary Kids Scaring Kids

The Unseen

Tokyo Rose

The Last of The Bad Men

Luke Chandler - Reason to Rebel & Mean Dinosaur

Your Very Own Music

Withheld

Tiger Army

The Start

Sumo

Eric Pigors

Scenes From A Movie

Schoolyard Heroes

Cooler By the Lake

Red Devil Squadron

Orange

Mustard Plug

Meat Wagon

The Used

Stephen Kellogg & The Sixers

No Hollywood Ending

Left Standing

Inertia

Flight to Athena

Exit Theory

Chiodos

Call It a Getaway

Between The Wars

Alaska And Me

A Farewell Rescue

A Hero From A Thousand Paces

Strung Out

Motion City Soundtrack

10 Sugar Charlie

The Devil Wears Prada

Throwdown

The Casual Lean

Man Bites Dog

Madina Lake

Jenny Hoyston

Every Time I Die

Evans Blue

A7X

Cute Is What We Aim For

Almost Free

Agnostic Front

A Scribe Amidst The Lions

The Academy Is...

Oh No Not Stereo

Amber Pacific

Alex Deep - Merlinmoon

The Classic Crime

Mad Caddies

The Chariot

Black Wax

Valery Milovic

Say Hello To The Angels

Bloodjinn

EB11

THE TURBO A.C.’s

The Threats

Self Against City

THE DOLLYROTS

The Tongues

Just Because

The Almost

MOVAJE

Aaron Kraten

Samiam

Deadsy

Fear Before the March of Flames

Borknagar

Zox

Vaux

The Red Jumpsuit Apparatus

The Early November

Strapping Young Lad

Left Alone

The Illuminati

Head Automatica

Good Riddance

The Distance

The Adored

Superchick

Rise Against

The Electric Soft Parade

Thursday

French Kicks

Epsilons

Controlling the Famous

Brandtson

Sound Team

Bleed The Sky

Against All Authority

The Scarred

Boysetsfire

Rock Kills Kid

46 Short

Crime in Stereo

Taking Back Sunday

Halifax

Less Than Jake

Sinkin' Ships

Ryan's Hope

The Vacation

Machinemade God

Bullets and Octane

Burns Out Bright

Atreyu

Kill Cheerleader

Saves the Day

A Global Threat

Ferona Vei

The Loved Ones

Eagles of Death Metal

Faktion

Irving

Anti-Flag

Downtown Singapore

Ever We Fall

Cowboy Mouth

In Flames

Small Arms Dealer

Bracket

The Sounds

The Applicators

Sworn Enemy

Exene Cervenka and the Original Sinners

Scarlet

Unearth

Architects

D.O.A.

Biology

Himsa

Propagandhi

Lovedrug

Slow Runner

The Flatliners

Gob Squad

Nothing Left to Lose

The Vandals

Suplecs

Face to Face

No Innocent Victim

Lagwagon

Thrice

The Weather Machines

Scars of Tomorrow

A Fall Farewell

Bang Sugar Bang

Let Go

Vaux

Nashville Pussy

Electric Frankenstein

Allister

Doomriders

Cave In

American Eyes

The Audition

God Forbid

From Autumn to Ashes

Alkaline Trio

I Am the Avalanche

Haste the Day

xbxrx

Against Me!

Orange

Circa Survive

Bear Vs. Shark

Chiodos

Life in Pictures

Cartel

Limbeck

Still Remains

Rufio

Suicide Machines

Gogol Bordello

As I Lay Dying

Bloody Sunday

Darkest Hour

Le Tigre

Todd

Agnostic Front

Extol

Slightly Stoopid

The Agony Scene

Frank Black

Clutch's Neil Fallon

Sentenced

Unsane

Fall Out Boy

The Esoteric

Clit 45

Bane

Go Betty Go

Earlimart

Corey Parks

Civet