Interview — Macrophobia


Skratch Magazine

Macrophobia isn’t the first singer-songwriter act out of San Diego California where the sunshine and sea shore breeds the eclectic girls-with-guitars-genre, but she will be the one you remember. Megan Jahn (guitar,/piano/vocals) doesn’t put a label on the music she plays “ I just play what I feel,” Jahn tells Skratch Magazine. “It usually comes out Indie, but I do like to mix it up sometimes and make some acoustic guitar rap songs and other random music.” Find out what else she had to say to us here at Skratch.

Skratch: Describe your sound:

MJ: It’s a bit different from other bands. It’s all acoustic.

Skratch: How did you become interested in music?

MJ: I’ve always been interested in music. Even when I was a little girl, I was jumping around on the couch with a blow up guitar rocking out to bands like No Doubt and Nsync. I was always playing around with instruments when I was a child. I would just sit and play around with a guitar or piano or just rock out on the drums. What really got me into music though is my step brother Zachary Faust. I always looked up to him and when I was 13 he got a guitar and I thought it was the coolest thing ever. So eventually I got into it and got my own guitar and started playing. Then one day I decided to write my own music. Bands like Bright Eyes and people like Josiah Leming have really inspired me to start writing though.

Skratch: What is your song writing process like?

MJ: I always start with an emotion or an experience. Then I just go with it, pouring my heart and soul it.

Skratch: What artists or musicians inspire you?

MJ: Bright Eyes and Josiah Leming definitely inspire me. Their music and lyrics are just so brilliant and insightful. I can only hope to write a song that’s half as good as one of theirs one day.

Skratch: Where do you take musical inspiration from?

MJ: Your environment? People? Explain. My musical inspiration comes from just an emotion or my experiences. I put it all out there. Every song I’ve written can be traced back to a person, experience, or event in my life.

Skratch: What is your musical background?

MJ: Well I’ve never had any musical lessons. Everything I know I’ve taught myself. Guitar, piano, singing. I’m guessing that being around all of those musical instruments and messing around with them when I was a child really helped my musical development.

Skratch: Tell us about how you got started as a band.

MJ: I played guitar for a couple years before I decided to try singing and playing music. The first song I ever learned to play and sing on guitar is First Day of My Life by Bright Eyes. From there I decided to maybe try writing a song and my friend Fernando Balo heard it and said “Wow . . . you’re really good.” I just kind of laughed it off and thought nah, he’s just trying to be nice. Then another friend of mine Tealla Pierce told me the same thing and was adamant about me continuing to write and getting involved in a school function called Coffee House at my high school Point Loma High School and play. I tried out, made it, and my response form the audience was great. I fell in love with writing music and performing on stage so I decided that this is what I want to do with my life.

Skratch: What is the most rewarding part of playing in a band?

MJ: I aspire to inspire. The response I get from the people who listen to my music is absolutely amazing, but what’s even more rewarding is inspiring people. Someone actually told me that I inspired them to start writing music and I was so deeply touched and knowing that I inspired someone to chase their dream and do what they love is the most rewarding thing of all.

Skratch: What challenges have you faced as musicians?

MJ: Getting your name out there is probably the most challenging thing a musician can face.

Skratch: What would you say is your best song to date? Why?

MJ: Well everyone’s favorite song is Ordinary Day, but in MY opinion, my best song to date is one that has not been recorded and released yet. I think my best song is “I Guess That’s What I Get For Wishful Thinking” It perfectly portrays my feelings for a specific person, my first love, who has broken my heart over and over again. He’s the inspiration for all of my angst.

Skratch: Do you remember the first album you ever bought?

MJ: What was it? Billy Talent. Another amazing band. Their music is like the album to my life.

Skratch: Where do you see your band in five years?

MJ: Well, I see myself continuing to make music, maybe starting a band, and continuing to play music. I can only hope that I’ll get to do this for a living.

Skratch: Would you say your goals as a band are long term, or short term?

MJ: My goals are definitely long term. This is what I love to do. Write music and play it. Music is the only thing that makes sense to me. Give me a song and I’ll learn to play it, give me a topic and I’ll write a song, but put a math problem in front of me and I’ll freeze up. I just hope that my music will reach the ears of many and will hopefully inspire some. That’s my ultimate goal.

Skratch: How has your band evolved since when you first formed?

MJ: My lyrics have become a bit deeper and bit more meaningful. I’m putting myself out there more for everyone to see.

Skratch: How often do you practice? What is your rehearsal time like?

MJ: I practice pretty much whenever I feel like it, which is every day. I can’t help but be drawn to music so I practice about 2 hours every day at least. My rehearsal time is quite random.

Skratch What would you say is your band’s motto? Explain.

MJ: “I aspire to inspire.” It’s exactly what it says. I just want to inspire people and encourage them to follow their dreams.

Skratch: What shows/album releases/plans do you currently have set up? Tell us about them.

MJ: I plan to play as many shows in as many places as possible and I plan to go to a recording studio again soon and record a whole album and release it either late this year and early next year.

Skratch: Where have your preformed? Tell us about the experience.

MJ: The first place I ever performed was at school in front of all of my peers. It was quite frightening, but rewarding at the same time. The applause was deafening and the comments I received from my peers at school were definitely encouraging. Another one of my shows was at a bar called O’connells. The applause and encouragement I received there was absolutely fantastic and keeps me going. I probably looked cool and collected on stage, but if you had seen be beforehand you would have seen me breathing in and out of a paper bag. It was again, very terrifying, but in the end, extremely rewarding.

Skratch: What sets your stage show a part from all the other bands making the rounds at venues?

MJ: I’m just kind of awesome I guess.

Skratch; Anything else you think we should know about the band?

MJ: Macrophobia means the fear of prolonged waiting. I feel it fits my little solo project quite perfectly.

For more on Macrophobia go to http://www.myspace.com/meganjahn.

» BACK TO TOP


Interview Archives

Exile Of Silence

Milo's Favorite Star

MayOrWest

Xurume

Oakred

Pretty Face 4 Radio

Rejtely

Remnants of Man

San Deviants

Shattered Pain

Skull Valley Scavengers

Subculture Stereo

Supersonic

These Arms Alone

The Splints

This Caustic Autumn

kMw

Behold, the Burning Sky

Chuck Kiss

Courage of a Pawn

The D.A.

Deep Samadhi

Dryver

Fall and Bounce

Diaries of a Hero

Bawerhur

86 After

Piss N’ Blood

The Taste Of Irony

The Perverted Staggs

The Mess

Synarchy

Reckles

Point Out

One Day Left

Our New Earth

Television City

Thrasys

Mother's Green

Michael Louis Vinci

Macrophobia

Kingdom Fall

In Crimson Colors

Fragmentic

Digression

Creepy Little Unholy Bastards

Beyond Belief

Never Settle for Less

The Deadlyz

The Upcollar$

Worst Case Scenario

Yes Helicopter

The Romantic Era

The Rare

Omega Moo

The Laundromat

Reaching Empyrean

Hexen

Chronic Remorse

Chris Tagaban

Toromos

Simensis

The Spurts!

Jungle Juice

Chatham

Life In Black And White

Michael Louis Vinci

Moirai Band

Down on Morale

Sweet Interference

Molly Mae Black

MVCP

Moment of Zen

Bears of Winter

ZS Concept

The Wrecktals

Punish Fort

Parade Route

Noons

Nikson

Mutual Cry

Me Monster

Margate

Kyoko

Housman’s Athletes

Abuzed-1

Whiskey Romance

Ungdlienken

Their Teeth Will Be Of Lions

Sunset of the Sabertooth

Street Dogs

Static Thought

Social Jetlag

Misery Signals

Sirvenamar

Of the Dying Sun

None More Black

No Exit Wound

+New Empire+

The Mayfairs

Dog Faced Gods

Disasters of Hollywood

Chase Long Beach

Canobliss

Born Again Rebels

Away with Words

Alevela

The Muggies

The Dear & Departed

Punish Them

Melee

Lamb of God

The Knife Confession

Killswitch Engage

The Briggs

Hold for Swank

Endorphin Rush

Die So Fluid

DevilDriver

Coheed and Cambria

Black Square

Bayside

Avidamore

Altered Paradigm

The A.K.A.s

A Human And His STDs

A Dark December

We the Kings

The Color Fred

The New Story

Roger of Suicide Records/ BrokenSoul

Serena Ryder

Monkeys To Go

Matt Pond PA

Machine Head

Limbeck

K.I.L

Farewell

Kent Savage - CEO of FameCast

The Donnas

Dear And The Headlights

The Architects

A Cursive Memory

4Get Me Nots

Zolof The Rock & Roll Destroyer

The Spill Canvas

So They Say

Mindless Self Indulgence

Eastern Conference Champions

Idiot Pilot

Electric Six

Trike

Silverchair

EFXR

Alabama Thunderpussy

Impending Doom

Polysics

Holy Fuck

Circa Survive

Envy On The Coast

Parkway Drive

Paper Rival

Non Prophet

Shithead

The Royal Tees

Sacrificial Slaughter

Scary Kids Scaring Kids

The Unseen

Tokyo Rose

The Last of The Bad Men

Luke Chandler - Reason to Rebel & Mean Dinosaur

Your Very Own Music

Withheld

Tiger Army

The Start

Sumo

Eric Pigors

Scenes From A Movie

Schoolyard Heroes

Cooler By the Lake

Red Devil Squadron

Orange

Mustard Plug

Meat Wagon

The Used

Stephen Kellogg & The Sixers

No Hollywood Ending

Left Standing

Inertia

Flight to Athena

Exit Theory

Chiodos

Call It a Getaway

Between The Wars

Alaska And Me

A Farewell Rescue

A Hero From A Thousand Paces

Strung Out

Motion City Soundtrack

10 Sugar Charlie

The Devil Wears Prada

Throwdown

The Casual Lean

Man Bites Dog

Madina Lake

Jenny Hoyston

Every Time I Die

Evans Blue

A7X

Cute Is What We Aim For

Almost Free

Agnostic Front

A Scribe Amidst The Lions

The Academy Is...

Oh No Not Stereo

Amber Pacific

Alex Deep - Merlinmoon

The Classic Crime

Mad Caddies

The Chariot

Black Wax

Valery Milovic

Say Hello To The Angels

Bloodjinn

EB11

THE TURBO A.C.’s

The Threats

Self Against City

THE DOLLYROTS

The Tongues

Just Because

The Almost

MOVAJE

Aaron Kraten

Samiam

Deadsy

Fear Before the March of Flames

Borknagar

Zox

Vaux

The Red Jumpsuit Apparatus

The Early November

Strapping Young Lad

Left Alone

The Illuminati

Head Automatica

Good Riddance

The Distance

The Adored

Superchick

Rise Against

The Electric Soft Parade

Thursday

French Kicks

Epsilons

Controlling the Famous

Brandtson

Sound Team

Bleed The Sky

Against All Authority

The Scarred

Boysetsfire

Rock Kills Kid

46 Short

Crime in Stereo

Taking Back Sunday

Halifax

Less Than Jake

Sinkin' Ships

Ryan's Hope

The Vacation

Machinemade God

Bullets and Octane

Burns Out Bright

Atreyu

Kill Cheerleader

Saves the Day

A Global Threat

Ferona Vei

The Loved Ones

Eagles of Death Metal

Faktion

Irving

Anti-Flag

Downtown Singapore

Ever We Fall

Cowboy Mouth

In Flames

Small Arms Dealer

Bracket

The Sounds

The Applicators

Sworn Enemy

Exene Cervenka and the Original Sinners

Scarlet

Unearth

Architects

D.O.A.

Biology

Himsa

Propagandhi

Lovedrug

Slow Runner

The Flatliners

Gob Squad

Nothing Left to Lose

The Vandals

Suplecs

Face to Face

No Innocent Victim

Lagwagon

Thrice

The Weather Machines

Scars of Tomorrow

A Fall Farewell

Bang Sugar Bang

Let Go

Vaux

Nashville Pussy

Electric Frankenstein

Allister

Doomriders

Cave In

American Eyes

The Audition

God Forbid

From Autumn to Ashes

Alkaline Trio

I Am the Avalanche

Haste the Day

xbxrx

Against Me!

Orange

Circa Survive

Bear Vs. Shark

Chiodos

Life in Pictures

Cartel

Limbeck

Still Remains

Rufio

Suicide Machines

Gogol Bordello

As I Lay Dying

Bloody Sunday

Darkest Hour

Le Tigre

Todd

Agnostic Front

Extol

Slightly Stoopid

The Agony Scene

Frank Black

Clutch's Neil Fallon

Sentenced

Unsane

Fall Out Boy

The Esoteric

Clit 45

Bane

Go Betty Go

Earlimart

Corey Parks

Civet